7.3/10
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2 user 2 critic

Farewell to the Ark (1984)

Saraba hakobune (original title)
A surreal, isolated village sees its inhabitants gradually leave behind their mutual traditions and superstitions as they leave for the city. Among them are two cousins who love each other and who get into a quarrel with other villagers.

Director:

Shûji Terayama
Reviews
7 wins & 2 nominations. See more awards »

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Cast

Credited cast:
Tsutomu Yamazaki ... Sutekichi Tokito
Mayumi Ogawa Mayumi Ogawa ... Sue Tokito
Yoshio Harada ... Daisaki Tokito
Yôko Takahashi Yôko Takahashi ... Temari
Rest of cast listed alphabetically:
Hideyo Amamoto ... Key maker
Renji Ishibashi ... Yonetaro Tokito
Hôsei Komatsu Hôsei Komatsu
Seiji Miyaguchi ... Old man
Keiko Niitaka Keiko Niitaka ... Tsubana
Hitomi Takahashi ... Chigusa
Takeshi Wakamatsu Takeshi Wakamatsu ... Dai
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Storyline

A surreal, isolated village sees its inhabitants gradually leave behind their mutual traditions and superstitions as they leave for the city. Among them are two cousins who love each other and who get into a quarrel with other villagers.

Plot Summary | Add Synopsis


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Details

Country:

Japan

Language:

Japanese

Release Date:

8 September 1984 (Japan) See more »

Also Known As:

Farewell to the Ark See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color | Black and White | Color (Eastmancolor)
See full technical specs »
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Did You Know?

Trivia

'Shuji Terayama''s last movie. See more »

Quotes

Villager: Reverend,can I ask you? How many clocks do you think there must be in a village?
Priest: I am not sure... I am not an astronomer, you know.
Villager: But if there are two evenings in one day,it may become very annoying.
Village woman: It's not necessarily bad.
Villager: For me... for me,it's very annoying
See more »

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User Reviews

 
Terayama's Last
2 January 2018 | by EdgarSTSee all my reviews

I liked this film very much, but the connection with Gabriel García Márquez is so thin that I would not credit "Cien años de soledad" as source. It could have inspired Terayama in the same way someone writes a poem after hearing an inspiring symphony. Sometimes the film looks and sounds more Fellini-Rota to me than Colombia, but the really fascinating images and sounds are those culturally linked to Japan. I am not a specialist in cultures, I only respond emotionally to this product, which has a dark tone and complex idiosyncratic background that is rarely present in the world of light and color of García Márquez. Although Gabo's works can be dark and complex, this motion picture has the scent of an ancient world and culture. A bit rambling sometimes, but a very good audiovisual experience.


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