1962, after Yale graduation, womanizing Lawrence flees a gambling debt that his rich dad won't pay. He takes his roomie's place as Peace Corps Volunteer in Thai Golden Triangle with 2 other PCVs. Will he survive 2 years?
Allen Bauer is rescued from drowning as a young boy off Cape Cod by a young mermaid. Years later, he returns to the same location, and once again manages to fall into the sea, and is rescued once more by the mermaid (Allen isn't sure what he has seen and what he has imagined). Using maps from a sunken ship, the mermaid decides to search for Allen in New York City, sprouting legs when her tail dries. On finding Allen, they fall in love, but she has a secret, which will no longer be a secret if she gets her legs wet.Written by
When Allen falls into the water after Fat Jack's boat hits him, his wallet falls out of his pocket and rests on a coral reef. The ocean off Cape Cod is much too cold for coral reefs. See more »
[catches Freddie looking up women's skirts]
I dropped something.
Ralph, talk to him.
[Ralph smacks Freddie upside the head]
Listen to your father. Come on, from over there we can see Cape Cod.
We were just on Cape Cod. We could have stayed there, I would have saved twelve dollars.
Allen, sweetheart, don't you want to see Cape Cod?
[Allen shakes his head]
All right, darling, you know where we are if you change your mind.
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Tom Hanks and Daryl Hannah swimming and coming to an underwater city. See more »
ABC cut 15 minutes from this film for its 1986 network television premiere. See more »
Well-made comedy with a disturbing undertone of pessimism
Splash is a really well-made Hollywood fantasy comedy, with early Tom Hanks already developing into the charismatic everyman and Darryl Hannah and John Candy at their best. But under the comedy and sweetness I have always thought there was a disturbing undertone of extreme pessimism--just what kind of ugly and cruel society do we live in, in which the mermaid Madison's only prospect is that she will be tortured, from which Hanks' character ultimately has to flee, never to see his beloved brother again? (The same dark undertone is even more pronounced, I think, in Ron Howard's next big hit Cocoon, where the old folks willingly escape an earth and families that don't seem to offer them anything anymore.)
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