Eliza arrives in Montreal, looking for love. A Chinese astrologer says she will find it over the next 12 days. She sets out to make the prediction come true, not realizing that her boarding house roommate Tommy, could actually be the one.
Tommy Lee Jones,
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Gilbert Ivy and his wife Jewell are farmers. They seem to be working against the odds, producing no financial surplus. Gilbert has lost hope of ever becoming prosperous, but his wife ... See full summary »
Alexandra Bergson inherits the family farm and struggles to carve a home and a fortune from the windswept prairie. Along the way, she forfeits her one chance for love, but never forgets the... See full summary »
Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
Brick, the son of a rich southern plantation owner, is drinking himself to death over some hidden pain. His wife Maggie is desperate to regain his love. Brick's father, known as Big Daddy, has returned from a clinic where he has gone for serious health issues, but has been told he has a clean bill of health. Brick's brother and his scheming wife have hopes of inheriting the huge plantation. Eventually a long conversation between Brick and his father bring out all the lies that have been tearing the family apart.Written by
Jim Beaver <email@example.com>
The original play "Cat On A Hot Tin Roof" by Tennessee Williams opened at the Morosco Theater in New York on March 24, 1955, ran for 694 performances and was nominated for the 1956 Tony Award (New York City) for the Best Play. The play also won the Pulitzer Prize in Drama in 1955. See more »
Sometimes Brick can move around easily without his crutch. See more »
Hello from Joe Bonelli-- a native Mississippian and actor who performs as Tennessee Williams in a one-man show (not an "impersonator" gig). The one-star review of this "Cat on a Hot Tin Roof" by a know-nothing here states that maybe that person doesn't understand or appreciate "over the top southern drama." You got it!! This version of the original Williams script, butchered by Hollywood in 1958-- good film, but NOT "Cat"-- is dead on. Tommy Lee Jones, a Texas native, is, in this version, the best Brick I've ever seen. This part is probably the most difficult male role in the Williams' canon and Tommy Lee pulls it off admirably. I like Jessical Lange very much but do not consider her quite right for this, for Blanche in "Streetcar" (which she also plays in a version that doesn't really work well) or Amanda in "Glass Menagerie" (which she is to play on Broadway in early 2005). Rip Torn and the late, lamented Kim Stanley are excellent in their roles and Williams-- who admired both immensely-- would, I believe, have approved. Now don't get me wrong-- there are some fine aspects to the Hollywood film and good performances all around (especially from the brilliant Burl Ives, recreating his Broadway original, and Madeline Sherwood as Sister Woman (Mae)-- ditto!) But the constraints of the Hollywood Production Code really hurt what could have been a true classic. By the way, Williams appreciated the performances of both Elizabeth Taylor and Paul Newman in the Hollywood bowdlerized version-- as do I. It would have been wonderful to see how these great stars/actors would have handled the original script. I suggest that the writer who doesn't "understand or appreciate over-the-top southern drama" stick to prettily-cast sanitized Hollywood adaptations of great plays and true-to-the-original films of them-- and pass on handing out uninformed opinions about the real thing. You don't have to like a play or a performance-- but you DO need to know something about it before you dismiss fine writing and acting.
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