Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
James T. Callahan,
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through Louisville, Kentucky seeking their favorite food, brains.Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
They spent entirely too much time looking for a patch of trees in Southern California and eventually had to settle on an olive grove. See more »
(at around 1 hr 2 mins) Immediately after Trash emerges from the mud, the movie fades to a clip of rain with smoke rising. The clip is looping in forward and reverse, as you can see the rain and smoke rising and falling several times, pausing briefly between each cycle. See more »
The following phony disclaimer precedes the movie: "The events portrayed in this film are all true. The names are real names of real people and real organizations." See more »
On a limited number of VHS tapes, released in 1986 and 1987, the first scene showing the Army Colonel arriving home and discussing his work with his wife is omitted from the beginning of the film. This leaves the viewer at a disadvantage when Burt calls the "Zombie Hotline" at the end of the film, and is connected to the same Colonel who the viewers do not yet know. See more »
I love this film to living death ... Every actor got the right part, and they all got the part right. High camp, higher parody, positively hilarious scenes so well set up that a mere facial gesture delivers the punchline, sometimes only a few beats of music delivers. In the midst of all this ripping off of Romero's "Night of the Living Dead", it borders on worship of its inspiration. Pathos holds hands with hilarity, genuinely creepy scenes bleed into high gear humor. I haven't found a misstep. There is a high quotient of "Oh s**t" scenes and they all work. The undraped Quigley is neither gratuitous or prurient; just imagine the movie without her character; loses much. This is a delicious, feverish living dead romp that plays out to one crackerjack musical score. Everything meshes, everything works. How do you fault a film that gets it all right? This title will survive a long long time.
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