Daring British WWI fighter pilot James "Biggles" Bigglesworth and 1980s low-level business executive Jim Ferguson discover that they can time travel to each other's eras. They try to stop the Germans from changing the outcome of WWI.
One minute the New Yorker advertising expert Jim Ferguson is at a business party -- the next he finds himself way back in 1917 in a plane fight during World War I. Mr. Raymond explains to him that he has a time-twin, to whom he's relocated in space and time whenever one of them is in trouble. So he has to help his twin, biplane pilot Biggles, in his attempt to destroy a German super weapon, that could win their war. Of course it's hard for Jim to explain his sudden disappearances to his fiance, Debbie.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Skysport Engineering was commissioned to build a replica Sopwith Pup which could be suspended from a crane and "flown" and crashed with a stuntman inside for the opening sequences of Biggles's rescue. Attention was given to every detail of its construction so that even when it was burnt the charred remains would look authentic. The wings and frame had to be selectively strengthened and weakened so that it would crumple and break to look as though it has fallen from 1000ft, not 10ft as in reality. See more »
When Jim Ferguson first visits Colonel Raymond at Tower Bridge, Raymond hands Ferguson an antiquated 'Celebrity Dinners' card. When Raymond passes Jim the card, it is in a plastic sleeve, then the camera shows the card in detail without the sleeve, and then it returns when Jim hands it back. See more »
[Debbie and Chuck enter Jim's hotel room to find Jim dressed as a nun, and with a gun on the chair]
Religious Transvestite Bank robber. That one's not even in the book.
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In the end of the credits it says: Filmed on location in New York - London - and the Western Front 1917. See more »
KNOCK 'EM DEAD KID
Performed by Mötley Crüe
Music and Lyrics by Nikki Sixx and Vince Neil
Published by Warner Brothers Music - Original publishers
Mötley Crüe Music/Warner Tamer Lane Publishing
Courtesy of Elektra/Asylum Records
by arrangement with Warner Special Products
from the album "Shout at the Devil" See more »
I hate to quibble with a comment but I had to offer some follow up to the comment regarding the disbelief of a German secret weapon during World War I. The concept for a wave type weapon has its origins before World War I with Nicola Tesla, who first postulated the notion of what has become known as scalar waves. Modern physics denies that such waves can exist but Tesla was convinced that they did and according to some he provided it (Tesla Horwitzer). The British actually developed the first theoretic underpinnings for a sound weapon of the type depicted in Biggles and frankly I thought that is where the idea came from. We "moderns" think far to much of our capabilities. What is happening today is that some open minded scientists are revisiting discarded Victorian science. How many people know that the modern principles of William Clerk Maxwell's electromagnetic principles are taught today in a truncated form and that the missing parts may in fact provide the theory for effective wave weapons (ever wonder why the US government spends so much time on Star Wars technology?). By the 1930s, the Germans were developing a number of secret weapons including the so called death rays. I think it prudent to give early modern humans credit for being just as creative as our generation and a lot more open minded.
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