In London in the 1970s, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Professor Lorrimer Van Helsing (a ... See full summary »
Detective Lucas McCarthy finally apprehends "Meat Cleaver Max" and watches the electric chair execution from the audience. But killing Max Jenke only elevated him to another level of ... See full summary »
Two fraternity pledges go to a sleazy bar looking for strippers to entertain their college friends. They have problems with transportation, Biker gangs, and worst of all, the staff of the bar, all of whom seem to be vampires, with Grace Jones playing the head vampire.Written by
John Vogel <firstname.lastname@example.org>
After the car spins around when the drive into the city, the view from inside the car shows they are on the right side of the road. When the view changes to show the side of the car, they are stopped in the road on the left side of the road near the curb. See more »
You know, I mostly get your basic dorks around here. They seem to gravitate towards me... I don't know why!
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There is a statement in the closing credits: "Any similarities to persons living, dead, or undead is purely coincidental!" See more »
Want to know where Quentin Tarantino got his idea for the script for Robert Rodriguez's From Dusk Till Dawn? Well, replace that film's bank robbers with a group of hormonal teens, swop gorgeous Salma Hayek for scary disco-diva Grace Jones, and turn Mexican biker-bar The Titty Twister into a skid-row strip club, and what you've got is Vamp, an under-rated teen horror from the 80s that was undoubtedly the inspiration for Rodriguez's horror hit.
Vamp follows three frat boys, Keith, AJ, and Duncan (Chris Makepeace, Robert Rusler and Gedde Watanabe), as they venture to the wrong side of town in the hope of hiring a stripper for a college party. After a run in with a nasty street gang, led by albino thug Snow (Billy Drago), the lads pay a visit to The After Dark Club, a sleazy joint that, unbeknownst to them, is home to a nest of vampires that feed on the lonely patrons.
When AJ is fed to Katrina (Jones), the queen of the bloodsuckers, Keith and Duncan attempt to flee the city, along with cute waitress Amaretto (Dedee Pfeiffer), but find their escape hampered not only by countless members of the undead, but also by Snow and his fellow gang members.
Featuring a witty script, excellent art direction, great make-up effects from Greg Cannom, and lively, fun performances from all involved, Vamp proves to be one of the better 'cheesy' horrors of the 80s, and is my third favourite teen vampire film of the decade (after The Lost Boys and Fright Night). The film makes stunning use of garish, coloured lighting (perhaps inspired by Dario Argento's Suspiria, which uses similar strong colours), giving the whole affair a freakish and rather unsettling look; this disturbing atmosphere is further compounded by a feeling of complete helplessness that is reminiscent of Scorsese's similarly surreal After Hours.
Admittedly, Vamp does occasionally veer a little too close to dumb teen comedy territory, and one or two scenes are rather convoluted or silly (what kind of vampire keeps metal drums full of flammable liquid in their crypt? And that Formica quip.... weak!), but on the whole, this is a refreshingly offbeat and stylish effort that deserves more recognition.
7.5 out of 10, rounded up to 8 for IMDb.
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