Set in the 1960s, the show follows Endeavour Morse in his early years as a police constable. Working alongside his senior partner DI Fred Thursday, Morse engages in a number of investigations around Oxford.
An Irish detective inspector in the UK Police is transferred to Saint-Marie's police department, but he hates the sun, sea and sand. The series follow his investigations into murders on the island. Later series see another British DI head the investigative team.
As WWII rages, DCS Foyle fights his own war on the home-front; investigating crime on the south coast of England. Later series, see the retired detective working as an MI5 agent in the aftermath of the war.
This whodunit series based on Dame Agatha Christie's crime novels and short stories, was named after its star sleuth, Hercule Poirot (David Suchet), a famous former Belgian Policeman, who settled for good in London after the war, soon so famous as an infallible private detective that he becomes a society figure in his own right. In each episode, Poirot gets to solve a crime mystery, mostly murder(s), for a paying client or otherwise catching his attention, generally along with his faithful English sidekick Captain Hastings (Hugh Fraser) and/or his Scotland yard "friendly rival" Chief Inspector Japp (Philip Jackson).Written by
Somewhat confusingly, the ITV 3 restoration version of the early seasons, have the copyright retro-fitted to read ITV Studios, with the original broadcast copyright year. However, the titles reference that the series was developed for television by Picture Partnership Productions, later re-named to Carnival Films. In 2008, by then re-named again to "Carnival Film & Television Limited" after it became a division of NBCUniversal International Studios, this means that theoretically "Agatha Christie's Poirot" is now technically a joint Universal Television production, similar to ITV's "Downton Abbey", also made by Comcast's Universal Carnival division, with legacy copyright shared with ITV Studios. See more »
There were many one hour and somewhat less two hour episodes of the Hercule Poirot mysteries shown on PBS; and foresighted fans should have taped them then, because when A&E re-runs them, parts of each have to be removed to make room for all the commercials. Very often, the solution at the end flashbacks to scenes that we never saw because of the abridgments and frankly the value of these episodes are reduced considerably. But now Acorn Media is reissuing them in complete versions, with the two hour features on DVD and the shorter ones on VHS. Both series are a delight. The acting genius of David Suchet is enhanced by his usual supporting cast (Hugh Fraser as Hastings, Philip Jackson as Japp, and Pauline Moran as Miss Lemon), the wonderful guest casts, the done-to-perfection ambiance of time and place--the late 20s and early 30s--with all those fabulous art-deco buildings they have managed to find and populate. The first boxed set of 3 episodes contains "The Disappearance of Mr. Davenheim," "The Veiled Lady," and "The Lost Mine." In the first, you might spot a bad flaw in the solution. Hint: how long was the playing time of the average 78 rpm disc back then? The second set includes "The Cornish Mystery" (with a genuine "blonde hussy"), "Double Sin" (with a Sweet Young Thing in Distress), and "The Adventure of the Cheap Flat" (with a neat reversal on the plot of Doyle's "The Red Headed League"). And if too many solutions depend on Poirot overhearing by chance some remark early in the story, well that should teach you to be more alert to these things on future viewings. Also if Poirot is not above breaking the law with a little forced entry now and then, well so did Sherlock Holmes. Released at the same time as the DVD edition of "The ABC Murders," ;Death in the Clouds concerns a killing on an airplane during which Poirot himself is fast asleep. As in all Christie mysteries, the red herrings keep coming; but as in few Christie mysteries, not all that many characters have the opportunity to be near the victim at the right time. (Many mystery writers are fond of "the crowded murder scene" in which every character was able to reach the victim at just the right time.) And although you might feel cheated at the solution--and this one is a tad far fetched--you had so much fun up to that point that you don't really feel like carping. The ABC Murders in my opinion is one of the better Poirot mystery novels and it transfers very well to the screen. First of all do not confuse it with the horrible film "The Alphabet Murders" with Tony Randall. This is a fairly faithful adaptation of the Christie novel that has Poirot and Chief Inspector Japp chasing after a serial killer who matches the initials of his victims with the name of the town in which they are killed. And although the murderer turns out to be not exactly the least likely suspect, there are enough red herrings--one gigantic, the rest minor--to keep you guessing until the inevitable scene in which all concerned are gathered in one place to hear how the Master has solved it all There is a bit of nonsense with Hastings' stuffed souvenir of the South American jungles and the last murder is shown but its purpose is not explained as it is in the original. Very amusing sleuthing for one and all--and a very welcome relief to the grizzly "modern" mysteries now being shown with extreme close-ups, whispered dialogue, and as much gore as possible in each frame.
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