In London, George Thomason, his seductive American girlfriend Wanda Gershwitz, and their associate Ken Pile are planning their latest crime, a diamond heist that should net them £13 million. They plan on leaving the country with the goods after the heist. On Wanda's recommendation, they enlist the help of her brother, Otto, a weapons expert, for this heist. In reality, Otto is not Wanda's brother, but her latest lover, a dimwit who gets off on his own body odor, who believes he's an intellectual because he reads Nietzsche, and who does not tolerate being called stupid by anyone. Wanda has one weakness in men which is how Otto was able to get her to be his lover: speaking Italian in seduction. Wanda and Otto plan to double cross George by having him arrested for the heist, while they abscond with the jewels. Wanda further plans to triple cross Otto by eliminating him from the picture after she has the jewels. They are able to get George arrested with him not knowing who tipped the ...Written by
This was one of the first original MGM films to be made via the leaner ("new") MGM following the earlier notorious Kirk Kerkorian/Ted Turner (Turner Entertainment Co.) asset stripping of the bulk of the original MGM library, Intellectual Property, and Studio lots in 1986. See more »
As the getaway car screeches to a halt to avoid hitting Mrs. Coady and her dogs, a crew-member is visible stopping people from walking into frame. See more »
No... there are no numbers, no identifying marks of any kind.
But it is a safe deposit box key?
Oh, yes. But it could be any one in England, there are millions of them. Hotels, banks, offices... I'm sorry.
[She gets up and heads for the door]
[under her breath]
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At the very end of the closing credits is the word FIN -- which is how French films say THE END, but in English a "fin" is a part of a fish. See more »
The Special Edition DVD has a bunch of deleted scenes including Otto's secret hobby and alternate scenes making the film more darker comedy.
There are two alternate endings. Both feature Otto dying and covered in blood in the cement but have different scenes on the plane, both imply that Wanda is going to run off with the money.
This is the only film I ever paid to see two days in a row. I missed too much of it the first time because of my own hysterical snorting laughter.
This is a work of comic genius. And, like any good film, the screenplay is at the heart of the belly laughs. Every character is given a detailed personality quirk or two, and then it is shamefully exploited for laugh after laugh. Note for example, John Cleese's speech to Jamie Lee Curtis about how awful it is to be British - the eternal fear of embarrassment. Moments later, he is caught buck naked in a marital tryst in some else's flat by the people to used to live in his own home. Also, the funny-offensive envelope is pushed to the limit when K-K-K-Ken (Michael Palin), the passionate animal lover inadvertently kills three innocent dogs in his attempt to murder an old woman who would otherwise be a prosecution witness. Now that's funny!
Cleese's character, Archie Leach (Carey Grant's real name) is a likable buffoon of a lawyer, happy in his banal existence until he meets the sexy American, Wanda (Jamie Lee). I cannot even being to describe the plot beyond that point without doing it a grave disservice. It twists and dangles about in a world of double-cross and goldfish-eating for no other reason than to set up a joke.
You cannot speak of this film without mention of Kevin Kline as Otto, a role that won him a richly-deserved Oscar. Otto is the ex-CIA "weapons man" who makes it his business to read philosophy but would be more at home with Curious George. An obsessive, self-indulgent, painfully stupid, violent, deceitful, gullible egomaniac, the character of Otto is amongst the best comedic performances ever delivered.
The film's funniest scene takes place at Leach's (Cleese) house. In a scene that rivals anything that has ever hit the screen for laughs, the film and its scripts looks deep enough into itself to even give Cleese's dry-as-toast wife a laugh or two. Then, later on, this scene proves to be the set up for even more jokes. A Fish Called Wanda is pure comedy and every scene either provides a laugh or sets one up - it graciously does not waste our time trying to be moral or turning into a formula car-chase flick.
My comments are choppy but so is this movie. If you see it and don't laugh, check your pulse. We have only been given a handful of good comedies in the last decade. A Fish Called Wanda is a treasure. **** out of ****.
NOTE: TBS and some other TV networks show this film with the "offensive language" edited out. It kills the movie - if you can't hack the language, pass this one over.
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