The polar opposites, Ray Tango, a suave and sophisticated police officer, and Gabe Cash, his overzealous long-haired partner, are a mismatched LAPD crime-fighting duo who work tirelessly to bring down their arch-nemesis, the ruthless drug lord, Yves Perret. However, when Perret manages to incriminate the pesty team with falsified evidence, Ray and Gabe will soon end up in a maximum-security prison, where an almost endless parade of inmates previously incarcerated by them, are waiting for their captors impatiently. Now, more than ever, Tango and Cash need to put their differences aside to come up quickly with a good plan, not only to escape the jail's walls but also to even the score with the evil kingpin who put them behind bars once and for all. Of course, that's easier said than done.Written by
Jeffrey Boam, who worked on the scripts for two of the Lethal Weapon films, was one of the writers who did a re-write of the script during the movie's troubled production. But, because he either didn't like the draft he wrote, or the film, he refused to be credited. See more »
When Cash enters the tunnel at the beginning of the prison escape, he doesn't have the crowbar in his hands. Yet in the following scene, the crowbar reappears. See more »
For its original UK cinema release, the BBFC cut 43 seconds from a pre-cut American version of the film so that it would receive a 15, rather than an 18 certificate. The cuts included the removal of a head-butt, a toning down of the strangling of the Chinese suspect, edits to Cash swinging a baseball bat during the prison fight, Tango hitting the fellow inmate's head against the prison cell bars, shots of both men being dipped into water containing live electricity cables, Cash's outburst in the prison where he refers to Requin as a "Limey Immigrant jerk-off", and Requin's response where he calls Cash a "fucking wanker". The full version was released on VHS, DVD and Blu-ray with an 18 certificate. See more »
It looks to me like everyone was having one rollicking good time making Tango&Cash. This is the kind of film that you have to take as seriously as an Indiana Jones adventure. After all their can be only one Indy.
But in this case we've a pair of cowboy cops who work in different parts of Los Angeles. Sylvester Stallone as Ray Tango and Kurt Russell as Gabe Cash are certainly known to each other however due to the headlines they've gathered smashing various criminal enterprises. They're also known to master criminal Jack Palance the Professor Moriarty of the film and he's rigged one elaborate plan for their disgrace and downfall and death.
As much as Stallone and Russell are enjoying spoofing their own action images, this film is absolutely stolen by Jack Palance. With tongue firmly in cheeking and hands twirling some imaginary mustache ends in the best Snidely Whiplash tradition, Palance is having a ball with his part.
Of course even when they're in the worst of trouble there's still that oneupsmanship that Russell and Stallone can't shake. And when Russell shows an interest in Teri Hatcher whom he later finds out is Stallone's sister, things could really have gotten interesting if it weren't for the joint problems they both were having.
When you watch this film, do not for one instant take it seriously and I guarantee a real hoot.
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