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Miller's Crossing (1990)

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Tom Regan, an advisor to a Prohibition-era crime boss, tries to keep the peace between warring mobs but gets caught in divided loyalties.

Directors:

Joel Coen, Ethan Coen (uncredited)

Writers:

Joel Coen, Ethan Coen
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Popularity
3,657 ( 221)

A Guide to the Films of the Coen Brothers

From Blood Simple to the new The Ballad of Buster Scruggs, we take a look at the offbeat stylings of Academy Award-winners Joel and Ethan Coen.

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4 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gabriel Byrne ... Tom Reagan
Marcia Gay Harden ... Verna
John Turturro ... Bernie Bernbaum
Jon Polito ... Johnny Caspar
J.E. Freeman ... Eddie Dane
Albert Finney ... Leo
Mike Starr ... Frankie
Al Mancini ... Tic-Tac
Richard Woods Richard Woods ... Mayor Dale Levander
Tom Toner ... O'Doole (as Thomas Toner)
Steve Buscemi ... Mink
Mario Todisco Mario Todisco ... Clarence "Drop" Johnson
Olek Krupa ... Tad
Michael Jeter ... Adolph
Lanny Flaherty ... Terry
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Storyline

Tom Reagan (played by Gabriel Byrne) is the right-hand man, and chief adviser, to a mob boss, Leo (Albert Finney). Trouble is brewing between Leo and another mob boss, Johnny Caspar (Jon Polito), over the activities of a bookie, Bernie Bernbaum (John Turturro) and Leo and Tom are at odds on how to deal with it. Meanwhile, Tom is in a secret relationship with Leo's girlfriend, Verna (Marcia Gay Harden), who happens to be the sister of Bernie. In trying to resolve the issue, Tom is cast out from Leo's camp and ultimately finds himself stuck in the middle between several deadly, unforgiving parties. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

You can dangle. See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian | Irish | Yiddish

Release Date:

5 October 1990 (USA) See more »

Also Known As:

Miller's Crossing See more »

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Box Office

Budget:

$14,000,000 (estimated)

Gross USA:

$5,080,409
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This is part of a small group of films that weren't edited by the Coen brothers themselves (under the pseudonym Roderick Jaynes) along with Tricia Cooke. Michael R. Miller was the editor. See more »

Goofs

At 00:03:36, Tom drinks his Whiskey, so the glass is almost empty. Later, at 00:04:50, when Johnny is loosing control, the glass is full again and Tom drinks it again at 00:05:32. See more »

Quotes

Johnny Caspar: I'm talkin' about friendship. I'm talkin' about character. I'm talkin' about - hell. Leo, I ain't embarrassed to use the word - I'm talkin' about ethics.
See more »

Crazy Credits

The opening credits list production companies, the title, and the main cast. The crew is not listed until the ending credits, starting with a director credit. See more »

Connections

Referenced in Reservoir Dogs (1992) See more »

Soundtracks

Danny Boy
Music by Rory Dall O'Cahan (uncredited)
Lyrics by Frederick Edward Weatherly (uncredited)
Sung by Frank Patterson
See more »

Frequently Asked Questions

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User Reviews

masterpiece
18 March 2001 | by meisterpuckSee all my reviews

In my modest opinion, this film is the Coen's greatest achievement to date, even greater than Fargo. I was happy to see so many recent entries on this page, because that means something I predicted long ago is coming true: film buffs are finally "discovering" Miller's Crossing, an underground masterpiece that has dwelt in obscurity for ten years.

The central motif of the hat, and Johnny Caspar's preoccupation with the altitude thereof, brings to mind another underrated masterpiece, Drugstore Cowboy. The complex Jungian symbolism of forests, doors and especially hats is my favorite aspect of the film.

The only criticism I've heard of this film (and I think it's B.S.) has to do with the "over-acting"--a criticism that has been directed at more than one Coen film. Admittedly, Coen screenplays read more like novels than movie scripts and are not always actor-friendly. Gabriel Byrne, who appears in all but two scenes, does a great job playing an extremely complicated character. Tom Reagan is a smart guy surrounded by morons, and exists in a scenario where only muscle counts and brains don't. And he hates it. And he hates himself because he knows he's all brains and no heart. He tries to redeem himself through a selfless devotion to Leo, whom he hates. All this makes for an immensely challenging part, and the film could easily have fallen apart with a lesser actor than Gabriel Byrne playing the lead.

But the acting is great from top to bottom: Marcia Gay Harden (in her big screen debut) as the hard-boiled moll; Jon Polito as the maniacal Johnny Caspar; Steve Buscemi as the hop-addicted Mink; J.E. Freeman, who is such a marvellous screen villain you have to wonder why he's still toiling in obscurity; and Albert Finney, an actor who embodies the term "screen presence." But the Grand Prix goes to John Turturro, who carries the most powerful scene in the movie: when Tom takes Bernie out to Miller's Crossing to "whack" him.

Another criticism frequently levelled against the Coens is that they are preoccupied with "scenes" and don't focus enough on plot coherence. This too is an invalid criticism, as far as I'm concerned. Some people are irritated by a film that you have to watch a couple times to fully understand, but that's precisely the kind of film that I love, and that's why I love Miller's Crossing so much. Every time I see it I pick up on something that I didn't catch before.

Speaking of "scenes", the "Danny Boy" scene is the best. The second best is the following scene, where Tom and Terry walk through a hallway lined with goons. The third is the police raid on the Sons of Erin Club, in which Leo takes on the entire police force.

I'll resist the temptation to call Miller's Crossing "The Greatest Film of All Time"--because who has the right to say that? But I must say that it is my favorite film of all time.


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