7.6/10
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Days of Being Wild (1990)

Ah fei zing zyun (original title)
Not Rated | | Crime, Drama, Romance | 15 December 1990 (Hong Kong)
A man tries to find out who his real mother is after the woman who raised him tells him the truth.

Director:

Kar-Wai Wong (as Kar Wai Wong)

Writers:

Jeffrey Lau, Kar-Wai Wong (as Kar Wai Wong)

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17 wins & 9 nominations. See more awards »

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Archival footage from classic Hong Kong films set to music.

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Cast

Cast overview, first billed only:
Leslie Cheung ... Yuddy
Maggie Cheung ... Su Li-zhen
Andy Lau ... Tide
Carina Lau ... Leung Fung-ying
Rebecca Pan ... Rebecca (as Tik-Wa Poon)
Jacky Cheung ... Zeb
Tony Chiu-Wai Leung ... Chow Mo-wan (as Tony Chiu Wai Leung)
Danilo Antunes Danilo Antunes ... Rebecca's Lover
Mei-Mei Hung Mei-Mei Hung ... The Amah
Ling-Hung Ling Ling-Hung Ling ... Nurse
Tita Muñoz Tita Muñoz ... Yuddy's Mother
Alicia Alonzo ... Housekeeper
Elena Lim So Elena Lim So ... Hotel Manageress
Maritoni Fernandez ... Hotel Maid
Angela Ponos Angela Ponos ... Prostitute
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Storyline

Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she refuses to divulge the name of his real birth mother. The revelation shakes Yuddy to his very core, unleashing a cascade of conflicting emotions. Two women have the bad luck to fall for Yuddy. One is a quiet lass named Su Lizhen who works at a sports arena, while the other is a glitzy showgirl named Mimi. Perhaps due to his unresolved Oedipal issues, he passively lets the two compete for him, unable or unwilling to make a choice. As Lizhen slowly confides her frustration to a cop named Tide, he falls for her. The same is true for Yuddy's friend Zeb, who falls for Mimi. Later, Yuddy learns of his birth mother's whereabouts and heads out to the Philippines. Written by van_whistler@hotmail.com

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Site

Country:

Hong Kong

Release Date:

15 December 1990 (Hong Kong) See more »

Also Known As:

Days of Being Wild See more »

Filming Locations:

Hong Kong, China See more »

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Box Office

Opening Weekend USA:

$18,090, 21 November 2004, Limited Release

Gross USA:

$141,864, 10 April 2005
See more on IMDbPro »

Company Credits

Production Co:

In-Gear Film See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This gets its name from the title given to Rebel Without a Cause (1955) when it was released in China. See more »

Goofs

When Tide checks into the hotel, the hotel manageress hands him the key to Room 206. However, in the next scene, Tide uses the key to enter Room 204. This, however, may not be so much a 'goof' as another recurrence of the number '2046' seen so often in Wong Kar-Wai's films. See more »

Quotes

Yuddy: I used to think there was a kind of bird that, once born, would keep flying until death. The fact is that the bird hasn't gone anywhere. It was dead from the beginning.
See more »


Soundtracks

Always In My Heart
Performed by Los Indios Tabajaras
See more »

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User Reviews

 
A tone poem about longing and one's search for identity
12 January 2004 | by howard.schumannSee all my reviews

In Wong Kar-wai's 1991 film Days of Being Wild, Yuddy (Leslie Cheung), a charming drifter captures the attention of store attendant Su Lizhen (Maggie Cheung) by asking her to look at his watch. When she sees that it says one minute before 3:00PM on April 16, 1960, he tells her that she will never forget the moment and will dream about him that night. The next time they meet, the moment becomes two, then one hour, then weeks and months but Yuddy is like the mythical bird with no legs that just flies and flies and never lands. Abandoned by his real mother and brought up by a wealthy alcoholic courtesan (Rebecca Pan), he does not know where he came from or where he is going. He treats women with little respect, discarding them when they no longer serve his purpose. When one lover asks him if he loves her, he tells her that during his life he will be friends with many, many women but won't know whom he truly loves until the end.

Days of Being Wild unfolds like a dream with color filters, unusual shadows, and the sights and sounds of Hong Kong's rainy nights and sweltering summers. Based on the director's memories from his childhood and admiration for the style of Argentinean novelist Manuel Puig (Heartbreak Tango), the film is a series of episodes involving six people who touch each other's lives. After his short-lived relationship with Su, Yuddy meets a cabaret dancer who calls herself Mimi (Carina Lau) but their relationship fares no better and she is left to suffer the consequences of their breakup. Meanwhile, Su meets Tide (Andy Lau), a gentle policeman whom she is able to confide until he suddenly leaves Hong Kong to become a sailor. Each character seeks a sense of identity and fulfillment. After Rebecca tells him of her plans to move to America with her boyfriend, she finally lets him know who and where his real mother is. After Yuddy goes to the Philippines to try to find his mother, the lives of the main protagonists come together in a powerful conclusion.

Days of Being Wild may sound like a soap opera but the film reaches a much higher artistic level. Supported by outstanding performances by Leslie Cheung, Maggie Cheung, and Jacky Cheung as Yuddy's only friend Zeb, it is a tone poem about longing and one's search for identity. We care about the characters even though they don't seem to care about themselves. Like many of us, they pine for the things that might have been, the word that was never said, and the love that remains elusive. A commercial failure but an artistic triumph, Days of Being Wild is a moody, atmospheric film that with its background of popular music, in this case 1950's rumbas and cha-cha's, forecasts the director's later In the Mood For Love. As a beautifully realized example of alienated people desperately seeking their place in the world, however, it stands securely on its own.


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