Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
John Singleton's portrayal of social problems in inner-city Los Angeles takes the form of a tale of three friends growing up together 'in the 'hood.' Half-brothers Doughboy and Ricky Baker are foils for each other's personality, presenting very different approaches to the tough lives they face. Ricky is the 'All-American' athlete, looking to win a football scholarship to USC and seeks salvation through sports, while 'Dough' succumbs to the violence, alcohol, and crime surrounding him in his environment, but maintains a strong sense of pride and code of honor. Between these two is their friend Tre, who is lucky to have a father, 'Furious' Styles, to teach him to have the strength of character to do what is right and to always take responsibility for his actions.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
When Ricky's recruiter is about to leave, Ricky taps him on the shoulder, then puts his arm down. In the next shot you see Ricky tapping him again on the shoulder. See more »
I know every time you turn on the TV, that's what you see. Black people, sellin' the rock, pushin' the rock, pushin' the rock. Yeah, I know. But that wasn't a problem as long as it was here. It wasn't a problem until it was in Iowa, on Wall Street, where there are hardly any black people.
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After the epilogue of what happens to Doughboy and Tre, the words "Boyz n the Hood: Increase the Peace" appears onscreen See more »
The Criterion Collection laserdisc features two scenes deleted from the theatrical version. They are as follows: Tre and his mother have a telephone conversation about his future with Brandi and college. Doughboy has a confrontation with Furious after Ricky gets shot. See more »
John Singleton's best film also proved to be one of my favorite movies about life in the streets. Cuba Gooding, Jr. displayed early on he was going to be a respectable actor. The power of the film has yet to be matched as most modern interpretations of street life prove to be violent stylizations. While Singleton has taken a couple missteps along the way, this film still stands up rather well by today's standards. The motives and actions appear realistic, especially Doughboy's thirst for revenge. A good film, which not only helped improve Laurence Fishburne's career, but introduced us to Gooding.
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