A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use him for deliveries worry about his mental well-being and his effectiveness at his job. Meanwhile someone is killing women in apparently drug-related incidents.Written by
Ed Sutton <firstname.lastname@example.org>
[Writing in a notebook]
I feel my life turning. All it needed was a direction. You drift from day to day, years go by. Then a change comes. I am able to change. I can be a good person. What a strange thing to happen, halfway through your life. What luck.
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When the subject of modern noir films is discussed, there are always a small group of films that is mentioned. "The Last Seduction", "Blood Simple", "L.A. Confidential", etc. All worthy selections in their own right. Even better, I think, is "Light Sleeper", which is a noir film right down to the core of its being. Taking place almost entirely in afterhours Manhattan, it's the story of John LeTour (Willem Dafoe), a drug courier who works for Ann (Susan Sarandon), delivering cocaine to upscale clients. LeTour wanders around the city, chauffered about in a black sedan by a silent driver named Carlos. It's a lonely existence, one that has "noir" written all over it. But this isn't a shallow or violent or ironically self-aware redux of noir films. Much like another recent Schrader-scripted film, this plunges right into the heart of the story, not standing back at all, undetached. Unlike other recent noir films, such as "The Usual Suspects", this film's soul lies not in convoluted twists and turns, but in redemption. LeTour spends the film searching for a meaning to his life, looking in the wrong place, and eventually finding meaning and hope in a somewhat unlikely place. But in the end, he realizes that it's all he has left to hang onto. A beautiful film.
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