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My Own Private Idaho (1991)

R | | Drama | 20 July 1991 (Japan)
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Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.

Director:

Gus Van Sant

Writer:

Gus Van Sant (screenplay)
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Popularity
1,227 ( 456)
9 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
River Phoenix ... Mike Waters
Keanu Reeves ... Scott Favor
James Russo ... Richard Waters
William Richert ... Bob Pigeon
Rodney Harvey ... Gary
Chiara Caselli ... Carmella
Michael Parker Michael Parker ... Digger
Jessie Thomas Jessie Thomas ... Denise
Flea ... Budd
Grace Zabriskie ... Alena
Tom Troupe Tom Troupe ... Jack Favor
Udo Kier ... Hans
Sally Curtice Sally Curtice ... Jane Lightwork
Robert Lee Pitchlynn Robert Lee Pitchlynn ... Walt
Mickey Cottrell ... Daddy Carroll
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Storyline

Mike Waters lives on the street and befriends the somewhat older and streetwise Scott Favor who shows him what is necessary to survive. Waters suffers from narcolepsy and can fall asleep at any moment and in almost any circumstance. Favor comes from a rich family and is rebelling against his own background. They travel together extensively - Waters is driven by the need to find his biological mother - and spend time in Italy. Later in life however, Favor has joined mainstream society and has little time for his old friend. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

This road will never end. It probably goes all around the world. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong sensuality, language and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian | German

Release Date:

20 July 1991 (Japan) See more »

Also Known As:

A Caminho de Idaho See more »

Filming Locations:

Oregon, USA See more »

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Box Office

Budget:

$2,500,000 (estimated)

Opening Weekend USA:

$68,542, 6 October 1991, Limited Release

Gross USA:

$6,401,336
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Ultra Stereo | Dolby SR

Color:

Color (Alphacine)

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

During the press junket at the Venice film festival, the actors were bombarded with questions about how playing gay street hustlers could harm their careers. Flea eventually got fed up and said, "Hey, some of my best friends are street hustlers, and I've seen more hustling going on at this festival, than I've ever seen with them." This, however, only resulted in even more questions. See more »

Goofs

(At 12.45) As Mike goes to look out the window at the back garden in the old ladies house the boom mic is visible reflected in the window. See more »

Quotes

Mike Waters: This chick's living in a new car ad.
See more »

Connections

Referenced in Drexell's Class: My Own Private Iowa (1992) See more »

Soundtracks

Deep Night
Words and Music by Charles Henderson
Performed by Rudy Vallee
Courtesy of Warner/Chappell Music, Inc. and the RCA Records label of BMG Music
See more »

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User Reviews

 
Odd, touching, River Phoenix is intensely brilliant..
10 June 2001 | by xokatyxoSee all my reviews

This is the movie that I sincerely hope River Phoenix will long be remembered for. His performance as the narcoleptic and confused street-hustler Mike is so perfect and touching and realistic that it makes me cry every time. Gus Van Sant's films often have a strange aura about them (see Drugstore Cowboy, To Die For) and never has it been more evident than in this oddly affecting road movie/drama. The camera shots of long horizon-spanning roads and skylines, fast-motion clouds, surreal and symbolic shots of houses and rushing rivers provide the film with a strange almost other-worldly charm. Interspersed with the gritty realism of life on the streets of Portland Oregon in the early 90's, and (stranger still) Shakespeare. Some of the plot (Bob and Scott mainly) is based on the Shakespeare play Henry IV (with Keanu Reeves playing the Prince Hal character of Scott, and William Richert playing the Falstaff-like role of "King-Of-The-Streets" Bob.) It's a fascinating, touching and very successful blend of styles overall. The big themes (the search for love and belonging) are conveyed in a very interesting and genuinely moving manner. I particularly enjoyed the symbolism and pathos the film flittingly suggests. The performances are uniformly excellent, and this movie remains one of my all-time favourites. One of the greatest (and most unique) indie movies of the 1990's.


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