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L'amour maudit de Leisenbohg (1991)

The 35-year-old ministry official Baron Leisenbohg had the stage career ten years ago as the cast of the "Queen of the Night", opera that promoted singer Klare Hell. Klare shows no gratitude however.

Director:

Édouard Molinaro
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Cast

Cast overview, first billed only:
Michel Piccoli ... Le baron de Leisenbohg
Anouk Aimée ... Claire Hell
Amadeus August ... Siegfried
Christine Citti ... Sabine
Friedrich von Thun ... Le duc Richard
Cristina Marsillach ... Fanny
Manfred Andrae Manfred Andrae ... Feuerstein
Jana Svandová ... Régine
Petr Skarke Petr Skarke ... Alban-Ratteny
Marie Hruba Marie Hruba ... Femme blonde
Jirí Lír ... Chauffeur
Jana Walkerowa Jana Walkerowa ... Prumer, concierge
Sabina Langrová Sabina Langrová ... Soubrette de Claire
Ivana Vávrová Ivana Vávrová ... Prostituée
Zdenek Mahdal Zdenek Mahdal ... Jeune homme Opéra
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Storyline

The 35-year-old ministry official Baron Leisenbohg had the stage career ten years ago as the cast of the "Queen of the Night", opera that promoted singer Klare Hell. Klare shows no gratitude however.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

France | Germany

Language:

French

Release Date:

30 March 1991 (France) See more »

Also Known As:

Das Schicksal des Freiherrn von Leisenbohg See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

French visa # 74609. See more »

Soundtracks

Tristan et Iseult
Composed by Richard Wagner
Conducted by Georg Solti
Sung by Fritz Uhl as Tristan
(Decca Record Company Ltd.)
See more »

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User Reviews

 
It's hard to get to the very soul of Schnitzler...
19 March 2002 | by Alex KlotzSee all my reviews

Like the most recent example of bringing Arthur Schnitzler to the screen, "Eyes wide shut" this movie suffers from the fact that the sort of imaginations that run through your mind while reading a Schnitzler story cannot be put adequately into a movie, even not in an x-rated one. See, even Max Ophuels' version of "Reigen" caused a scandal, although he didn't show or imply anything. The naughtiness of Schnitzler's work lies in the fact that mankind is utterly confronted with his most dark, most hidden desires. But before starting a lecture, I should get to the movie.

The story tells of a wealthy gentleman being hopelessly in love with an opera singer. Finally, he achieves her affection, but finds out that he has got a horrible price to pay. I think it's quite well done, the acting is excellent, so are the sets and even the newly made up stuff like the seance or the literally "blue-eyed" Siegfried-Character match with the original idea, although the latter is a figure that only makes sense after the third reich - but Schnitzler's story was already written in 1903. The best part of the movie is that it maintains the ambiguity of the literary source, becoming a more "fantastic" movie than most of the other entries in the genre.


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