Uplifting and intimate look at the last days of an elderly cancer victim. The film is even more relevant as it was written specifically for the lead actress, Sheila Florance, who was in ...
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Georg Wilhelm Pabst
Monsieur Hulot curiously wanders around a high-tech Paris, paralleling a trip with a group of American tourists. Meanwhile, a nightclub/restaurant prepares its opening night, but it's still under construction.
Uplifting and intimate look at the last days of an elderly cancer victim. The film is even more relevant as it was written specifically for the lead actress, Sheila Florance, who was in fact dying of cancer as she created what is essentially a self-portrait.Written by
John Sacksteder <firstname.lastname@example.org>
If you could leave your loved ones a memento like this to cherish, how easy it would be to accept that final lift from the oarsman!
Not many people get to dedicate their lives literally, to film in such a way that they leave behind the greatest of diaries you could never have committed to paper. Sheila Florance, grand dame of Australian television and the big-screen has managed just that.
At 78 years of age and dying of cancer herself, she plays elderly Martha, who's terminal cancer is no barrier to her enjoying her last days with her family, the image of dignity and wisdom - traits that she has shown all her life.
This marvellous life-affirming film is one of Paul Cox's best, in fact one of Australia's finest productions. It would be impossible not to be significantly moved by it and taking perhaps a minute or three to review your own life and direction.
Sheila Florance, beloved of many long-term viewers, died just two days after receiving her AFI award for Best Actress for her role as Martha. It was a fitting reward for a lifetime's contribution made.
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