The dog is cute enough but the constant voice-overs of his every thought just became too much of the tale. Just a few clever thoughts voiced per episode would have worked better. You really don't want to be beating him to his lines.
Making the dog the 3rd partner put him front and center to the episodes and, for me got in the way of any kind of gripping action and interplay of the 2 human partners. Nobody seemed to be having that much fun nor really working their performances, except maybe that annoying dog, LOL. I might have enjoyed that canine a whole lot more if he only had the occasional clever punch line. He really is an adorable dog, don't get me wrong.
So for me, this comedic cop drama fell flat. Bonetti himself had his own annoying quirks. His character was the Hollywood depiction of a typical Italian machismo Brooklyn cop as a fish-out-of-water cop in L.A. The back story of his accidental fatal shooting of a 12-year-old girl gave us some sympathy for his mental anguish-tortured soul as shown to some, i.e. the ex-wife but not to others. such as his boss. as in his 'I'm over it" false bravado. Bonetti is an accomplished pianist as we see him at the keyboards in all three of the first episodes. So we see he has a bit of a cultured, hip side to his cop persona.
Created by Donald P. Bellisario who is also top writing credit for the episodes of this one-season show as well as executive producer. His amazing and prolific talent is so many classic shows such as NCIS, Magnum, P.I., Quantum Leap, JAG, Airwolf and Black Sheep Squadron, and the list goes on, really had me hopeful for a show I'd missed in 1992-1993.
The first three episodes was it for me, I just couldn't stomach any more of Bonetti himself or the abundant voice-over thoughts of that cute but annoying dog. It was pretty clear to me I wanted to ax this after the 1st episode, and by the 3rd episode, reaching for that ax had become an obsession. I succumbed.