Mousie and Sad Girl are childhood best friends in a contemporary Los Angeles poor Hispanic neighborhood. But when Sad Girl becomes pregnant by Mousie's boyfriend, a drug dealer named ... See full summary »
Kid brother Chuco (Danny De La Paz) is a sullen low-rider still caught up in the life. Despite their differences, their family bond is strong. But that bond is violently tested when rivals ... See full summary »
Danny De La Paz,
This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen years there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it.Written by
Gary Dickerson <firstname.lastname@example.org>
When the Mexican inmates are walking up with the mop and bucket to assassinate the African-American inmate, it shows the African-American inmate lying in just a t-shirt on his bed. In the next scene, after he's caught on fire, he's wearing his long sleeve button up. See more »
I'm sorry to hear about Neto.
I don't know what to say to you.
Whatever, you know.
You're like two people. One is like a kid. Doesn't know how to dance, doesn't know how to make love. That's the one I cared about. But the other one, the other one I hate. The one who knows, the one who has this wrapdown, who knows how to run drugs, who kills people!
I don't have to listen to this shit, alright? If you were a man, I'd...
You'd kill me! Oh no. No, you'd fuck me in the ass, right? Right?
I guess we...
[...] See more »
A film that explores the criminal lifestyle in a remarkably brutal and cynical fashion, American Me is the stunningly assured directing debut of Edward James Olmos. Olmos also stars, and gives a terrific performance. Even better is William Forsythe as his lifelong friend and right hand man. This film features some of the most unflinching moments of violence I've seen in a mainstream American film. The violence isn't necessarily graphic, but you generally get the idea. One scene involving a brutal gang rape has deservedly achieved notoriety, and yet it doesn't seem gratuitous. It works within the confines of the story. Olmos should be applauded for this achievement, and it's a shame that this film is overshadowed by other gangster films. It belongs right up there with them.
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