After his father's death, Gilbert has to care for his mentally-disabled brother, Arnie, and his morbidly obese mother. This situation is suddenly challenged though, when love unexpectedly walks into his life.
In Spokane, Washington, Juniper Pearl - Joon to those that know her - is an artist. She is also a mentally challenged young woman who requires around the clock care, as she could cause harm to herself or others. Her brother Benny Pearl, who owns and operates a garage and who is her only living relative since their parents died twelve years ago in a car accident, has made the decision that she would live at home with him, in the process sacrificing being able to have a personal life of his own. He has hired full-time housekeepers to provide that care when he isn't around. However, he has exhausted the list of housekeepers, who keep quitting because Joon is too much to handle. As such, Benny makes the decision that perhaps it would be best for all concerned if Joon were to live in a group home, something he is hesitating telling her for fear of her reaction. Into their lives comes Sam, the eccentric cousin of Benny's friend Mike, Sam who they obtained from Mike in a losing hand of poker...Written by
The exterior of the café where Ruthie works is the Milk Bottle Café in Spokane, Washington. The interior was shot in an entirely different restaurant, Ferguson's Café. The two restaurants are next door to each other. It's not the only building in Spokane shaped like a milk bottle. See more »
In the bedroom scene where Benny and Joon start singing, Joon lies back on her pillow, but in the next shot the pillow has changed positions though Joon hasn't. See more »
So we're planning our next vacation, right? I want Australia, she wants Italy. I like snorkeling, she likes garlic. All of a sudden, out of nowhere, she says to me: Do I need her? Jesus, Benny. What kind of a question is that? I mean, "need?" What does it really mean to need someone?
Benny, fuel line!
[and the phone begins ringing]
Hey Waldo, could you answer that phone?
I need a check, Benny. COD.
In a minute. Meet me in the office.
[...] See more »
If you read this one exactly as it's written and take out the Depp character it can play accurately. It would never be a big movie like that (it wasn't big anyway) but it would be consistent and good. But insert Depp's character (and Depp's way of playing this character) and you have something entirely else. The title holds only if you don't have Depp in the movie - for this movie is all about Depp. He literally steals the show. I don't know much about Depp, what I've heard he is a somewhat weird character, but if you look at what he's done - Scissorhands and this movie as two examples - you have to wonder if you're not looking at one of the truly great actors of the day. The diner scene with the two dinner rolls, the tray of dinners, the Wurlitzer and Julianne Moore; the kitchen antics; the jack-in-the-box scene - simple but still; the 'mail a letter to momma' scene - look how Depp totally creates his character; and the park scene: this is great stuff. Is it about Benny and Joon and their ability to cope with their situation? Maybe. But moviegoers might remember this essentially 'feel good' movie as only another incredible Johnny Depp performance.
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