Private Luc Deveraux and his sadistic sergeant, Andrew Scott, got killed in Vietnam. The army uses their bodies for a secret project - reanimating dead soldiers as deadly obedient cyborgs. However, their memories come back too.
Jean-Claude Van Damme,
In a violent and corrupt prison, decorated cop Louis Burke must infiltrate the jail to find answers to a number of inside murders. What he finds is a struggle of life and death tied in to his own past.
Jean-Claude Van Damme,
Natasha Binder comes to New Orleans looking for her father, who has gone missing. In doing so, she meets a very hard man called Chance. He helps her find out that her father was killed by an organisation who sell the opportunity to hunt human prey. They are taking advantage of a police strike in New Orleans. Will the Muscles from Brussels win through?Written by
John Hartnup <email@example.com>
After the domestic and international box office success of the film, Universal Pictures, production company Alphaville (producers Jim Jacks and Sean Daniel), star Jean-Claude Van Damme and director John Woo briefly considered re-teaming for another action/thriller to be titled "Shadow of Death". However, due to the difficult relationship between Van Damme and Woo, the project never materialized. See more »
Van Cleaf, after shooting Randal with his shotgun, pumps his weapon to load the next round. However, when the gun battle with Boudreaux begins moments later, Van Cleaf pumps his shotgun again and yet no shell ejects from the chamber. See more »
A test screening version is 116 minutes long. Scenes included in the 116 minute version include:
Additional dialog at the beginning where Van Cleef tells Lopaki (the guy with the arrows) that he shoots like a buffoon and next time he will charge him double.
The ear cutting scene is intact.
A three minute scene of dialog between Natasha and Chance which takes place in Chance's apartment. She is patching him up after the beating he got while looking for dog tag, he puts the moves on her, she leaves then comes back saying she has changed her mind. A still from this scene appears on the liftout that comes with the American DVD release.
While Fouchon is playing the piano there are several shoots of news or documentary footage showing elephants, deer etc being shot down by hunters. This is probably the most disturbing scene in the film.
Before Fouchon drops the letter opener on the floor at the coroners house he has additional dialog that describes what happens when a hunter dies in Africa.
When Roper dies he is shot then gets up and is then hit with another volley of bullets.
In the motorcycle chase, before Chance takes out a second biker he takes out an oncoming car instead of another guy on a motorcycle, the car tumbles over and explodes.
Before Chance stops the motorcycle near the roadblock, another vehicle with Fouchon's men pass by and shoot his motorcycle.
Scene where Chance takes on a vehicle with his motorcycle is extended, he fires more shots at Fouchon's men.
When Chance and Natasha first meet up with Douvee and Chance jump around and start singing before Chance introduces Natasha.
Most of the deaths in the Mardi Gras Graveyard are longer and juicier (people being shot 30 times instead of 10 etc)
In the the final fight between Chance and Fouchon (in which Chance utters the line "hunting season is over") is missing. Instead Chance does the runnup as Fouchon shoots, kicks him into the garbage pile, throws the grenade and Fouchon is blown up.
Many people see "Jean-Claude Van Damme" in the lead and think this another stupid, no-brainer action flick and guess what? It is! BUT, it is also a very entertaining film, kind of ripoff of the old "Most Dangerous Game" storyline....and, if you can suspend belief for 90-100 minutes, you'll be vastly entertained....and that's the name of the game, folks.
Some of the action scenes are outrageous and big-time "Rambo" mentality, meaning an entire arsenal that could wipe out a small country is used against our hero and never seems to kill him! People are being shot in the streets but no is ever around in the middle of the day but the killers and victims? Usually that stuff annoys me, but I didn't seem to mind in this movie. In fact, it fits.
Despite the lack of credibility, Van Dame standing on top of a speeding motorcycle as it heads towards an onrushing car, and later dodging all kinds of pretty neat weapons as he tries to help Yancy Butler, is just fun. John Wood-directed films tend to be ridiculously exaggerated and loud, so that's what you get. I am not a fan of many of his films, but I am of this one. It's pure macho madness with a Lance Henriksen doing what he does best: be an incredibly-nasty and brutal villain. An added bonus in here - a real hoot - is old man Wilfred Brimley as Van Damme's French uncle who comes to his nephew's aid.
Add a great blues soundtrack and you have a great film to feed your male hormones with when needing to be fed some gratuitous violence.
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