Drug addict Maggie Hayward's consistent violence, even in police custody, ends in the execution chamber. However, top secret U.S. government Agent "Bob" arranges a staged death, so Maggie can be elaborately trained as a killer. She gets a new cover identity as saleswoman Claudia Anne Doran. She also finds a housemate, building super J.P., a broad-minded, gentle photographer. The two fall in love, and that complicates her government assignments. His influence extends to breeding in her a conscience that supplants her violent tendencies, and desire to continue work for the agency.Written by
When Maggie jumps back into the Mustang she tosses her purse into the back seat, but it bounces outside the car, the strap catching on the convertible frame. Later she reaches for her purse in the back seat. See more »
[picks up Maggie's album of Nina Simone]
Can I take this?
You like Nina?
[after a while]
Yeah. I love her.
We'll miss her?
[gazes at the picture of Maggie on the wall]
Yeah. We'll miss her.
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Because the original version was rated "Not under 18" in Germany, the film had to be cut to receive a "Not under 16" rating for video release and television broadcast. All scenes in which Victor kills somebody with his pistol were cut out. Also some fighting scenes with Maggie were shortened. See more »
An excellent example of Hollywood's ability to ruin a good movie concept.
An excellent example of Hollywood's ability to ruin a good movie concept. The original version ('La Femme Nikita') was far more gritty and realistic. The main character is offered a choice between death, or the life of an assassin. As such, she spends most of the film trying to find a way out of her situation. Unfortunately the overuse of high-tech props, sets and special effects have made the entire experience so sanitised that by the end of the film I found myself wishing that a corrupt government would come and kidnap me.
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