5.2/10
226
2 user

L'ours en peluche (1994)

Professor Jean Rivière receives phone calls accusing him of murder. A teddy bear arrives by mail.

Director:

Jacques Deray

Writers:

Georges Simenon (from a novel by), Jean Curtelin (scenario and adaptation) | 2 more credits »
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Cast

Cast overview, first billed only:
Alain Delon ... Jean Rivière
Laure Killing Laure Killing ... Christine
Regina Bianchi Regina Bianchi ... Nonna Claudia
Paolo Bonacelli ... Novacek
Martine Brochard ... Madame Jubert
Julie du Page ... Viviane
Alexandra Winisky Alexandra Winisky ... La file de Jean Rivière
Valentina Forte ... Francesca
Franco Interlenghi ... Le directeur du musée
Claudia Pandolfi Claudia Pandolfi ... Claudia
Mattia Sbragia
Madeleine Robinson ... Madame Rivière
Francesca Dellera ... Chantal / Holly
Michael Pas
Marc Schreiber Marc Schreiber
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Storyline

Professor Jean Rivière receives phone calls accusing him of murder. A teddy bear arrives by mail.

Plot Summary | Add Synopsis


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Details

Country:

Italy | France

Language:

French

Release Date:

10 August 1994 (France) See more »

Also Known As:

The Teddy Bear See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color
See full technical specs »

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User Reviews

 
Worth it for the ending
1 March 2005 | by gridoonSee all my reviews

Alain Delon is the rich, respected professor/obstetrician (I had to look that up!) who appears to have everything (wife, daughter, professional success AND a mistress), but whose life begins to fall apart when he receives an anonymous phone call by a man who says he is "guilty" and threatens to kill him. Following the "clues" that the caller leaves for him, Delon tries to find out what he is accused of.

Actually, "Teddy Bear" is not as interesting as that description makes it sound. The mystery is revealed halfway through, and there isn't much suspense, either. In many scenes, the rich music score provides the only drama. Delon fans will be interested in seeing their idol in this more mature phase of his career, but Deray's clinical, dehydrated directorial style doesn't do much to get us involved. And of course, this being a French movie, it's talky (though Delon remains relatively silent and lets the others do most of the talking).

On the other hand, this being a French movie, it dares to end in an amoral, un-Hollywood-ish way. I didn't see the ending coming, and you probably won't, either. It's good enough to push the rating of this movie from ** to **1/2 out of 4.


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