You've run out of options, no school, no job. Steal a car, smash a shop with a heavy car and reap the proceeds! This movie is about underground England. The causes, the benefits, and the result of a life of 'crash and carry.'
Michael Lewis, a young American architect, is sent to Britain to refurbish an old London hotel. But this assignment instantly stretches beyond the ordinary as he finds himself exposed to a ... See full summary »
Paul W.S. Anderson
The cab driver sets American Zed up with Zoe in his Paris hotel. Despite FFR1000 charged, she's an art student with day jobs e.g. bank. Safecracker Zed meets his junkie friend after 11 years to rob a bank.
An enigmatic fragment of a bigger story, showing events leading up to a pivotal moment in the life of a strange, troubled young man. After losing his home, fiancée and job, he finds a moment of hopefulness.
During a three day heat wave just before a huge 4th of July celebration, an action star stricken with amnesia meets up with a porn star who is developing her own reality TV project, and a policeman who holds the key to a vast conspiracy.
Sarah Michelle Gellar,
Seann William Scott
George Kuffs didn't finish high-school, just lost his job and his girlfriend who still is in college is pregnant. Since he can't see how he can support her, he thinks she is better off ... See full summary »
Bruce A. Evans
Ric Roman Waugh
When Lt. Artemis and her loyal soldiers are transported to a new world, they engage in a desperate battle for survival against enormous enemies with incredible powers. Feature film based on the video game by Capcom.
Lone group of teens, led by recently released joyrider and his disenchanted Belfast girlfriend, strives to leave their mark on "a British city in the near future" while attempting to avoid a rival gang. Scenes of joyriding and ram-raiding, which attempt to portray the addictiveness of fast driving whilst also showing the downside (the effect on the community and ultimately death)Written by
Andrew Welsh <email@example.com>
You Don't Turn Down The Chance to S**g Sadie Frost!
This film just plain doesn't work. The protagonists are a bunch of losers - just out for thrills, like joyriders are meant to be, yes - but it attempts to glamourise and politicise them - to give them deeper motives - in a way that completely fails to come across.
Meanwhile, you have the Sean Pertwee character, who's meant to be a sell-out, who is violating the spirit of the life they lead by going 'legit' and forming associations with true organised crime. But instead, next to this bunch of anarchistic, narcissistic overgrown children, he appears to be the only responsible, sympathetic, adult character. Meanwhile, Jonathan Pryce's paternal policeman is completely ineffective in what is meant to be the true adult presence of the film.
There's one scene which epitomises the failings of the film - Billy's rebuff of Jo's attempted seduction by saying sex is too dangerous in the 90's. Never mind that he'd already attempted to chat up a stranger in a club! It reinforces one's perception of him as a big kid unwilling to grow up. . . Characters' actions have to be believable, and his aren't. No wonder one TV version I saw cut the scene short, it's almost embarrassing to watch. Hence the title I've chosen for this review!
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