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Three Colors: Red (1994)

Trois couleurs: Rouge (original title)
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A model discovers her neighbor is keen on invading people's privacy.
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4,052 ( 130)
Top Rated Movies #248 | Nominated for 3 Oscars. Another 18 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
Irène Jacob ... Valentine (as Irene Jacob)
Jean-Louis Trintignant ... Le juge Joseph Kern
Frédérique Feder ... Karin (as Frederique Feder)
Jean-Pierre Lorit ... Auguste
Samuel Le Bihan ... Le photographe (Photographer) (as Samuel Lebihan)
Marion Stalens Marion Stalens ... Le Vétérinaire (Veterinary surgeon)
Teco Celio Teco Celio ... Le barman (Barman)
Bernard Escalon Bernard Escalon ... Le disquaire (Record dealer)
Jean Schlegel Jean Schlegel ... Le voisin (Neighbour)
Elzbieta Jasinska Elzbieta Jasinska ... La femme (Woman)
Paul Vermeulen Paul Vermeulen ... L'ami de Karin (Karen's friend)
Jean-Marie Daunas Jean-Marie Daunas ... Le gardien du théâtre (Theatre manager)
Roland Carey ... Le trafiquant (Drug dealer)
Brigitte Raul Brigitte Raul
Leo Ramseyer Leo Ramseyer
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Storyline

Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours' phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion... Written by Yepok

Plot Summary | Plot Synopsis

Genres:

Drama | Mystery | Romance

Motion Picture Rating (MPAA)

Rated R for a brief but strong sex scene | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Switzerland | France | Poland

Language:

French

Release Date:

23 November 1994 (USA) See more »

Also Known As:

Three Colors: Red See more »

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Box Office

Gross USA:

$4,043,686
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Citing that it does not meet enough of the necessary guidelines concerning a film's "artistic control" within a foreign co-production, the Academy of Motion Picture Arts and Sciences disqualified the film from competing as Switzerland's official entry for the Academy Award for Best Foreign Language Film. (In an unprecedented move, Switzerland rejected the Academy's offer to submit another film.) Miramax Films' co-chairman Harvey Weinstein persuaded more than sixty industry heavyweights to sign a letter of complaint urging the Academy to reconsider its stance, to no avail. See more »

Goofs

At the end of the film, one of the main characters carries a dog on the ferry to England. At the time the film was made there was strict anti-rabies quarantine in force and the ferry operator would not have allowed a dog on board if it were not inside an appropriate container AND due to be collected by an approved quarantine kennel. See more »

Quotes

The Judge: I want nothing.
Valentine: Then stop breathing.
The Judge: Good idea.
See more »

Connections

Referenced in The 67th Annual Academy Awards (1995) See more »

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User Reviews

 
A masterwork
22 October 2005 | by howie73See all my reviews

The final part of Kieslowski's trilogy based on the colors of the French flag finds the director at peace with the metaphysical and transcendent nature of the cinematic image. In Red, imagery is paramount, as well as the obvious but clever color coding. However, rather than adhering to empty aesthetic contrivances based on the 'cinema du look', Kieslowski's Red is a multi-layered, densely plotted meditation on the nature of fate and love. In Red, love and fate are intertwined but complex notions, dictated as much by the whims of human beings as the invisible parallel associations that seems to pass us by. You sense Red is really an allegory, a reenactment of Prospero's omnipresent gestures in The Tempest, yet it is more than its story appears. Red demands countless viewings, and in each viewing something new is discovered that weaves itself into the already immaculately plotted structure.

Although Red stands alone as a masterwork from Kieslowski, it's best viewed as part of the trilogy. Elements of Blue and White are referenced in Red, which knowing viewers will enjoy.


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