Edwina has just moved into the neighborhood known as "Widows' Peak," so called due to the prevalent marital status of the residents, who tend to be a rather exclusive bunch. The residents ...
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Set in 1962 MANDELAS GUN is a political thriller, based on Mandelas African Odyssey. As Commander-in-Chief of the Liberation Army Umkhonto we Sizwe (the MK) he undergoes military training ... See full synopsis »
A drama exploring the romantic past and emotional present of Ann Grant and her daughters, Constance and Nina. As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life 50 years prior, when she was a young woman. Harris is the man Ann loves in the 1950s and never forgets.
Famous 1920s modernist US writer F. Scott Fitzgerald and his eccentric Flapper socialite wife Zelda Sayre's relationship began quite passionately, but he slowly fell into alcoholism and she was eventually diagnosed with schizophrenia.
Edwina has just moved into the neighborhood known as "Widows' Peak," so called due to the prevalent marital status of the residents, who tend to be a rather exclusive bunch. The residents are all curious about their new neighbor, but no one can seem to get much information about her, including queen bee Mrs. DC, whose son is busy wooing Edwina. Miss O'Hare and Edwina have an immediate dislike for each other, however, and soon some accidental encounters begin to look like Edwina is trying to ruin her new rival. The problems escalate and the town is in an uproar, but they get no closer to solving the mystery of the newcomer.Written by
Ed Sutton <email@example.com>
A truly lovely look at Irish humor and it's not so subtle jabs at the Brits. But there's more. How these characters weave a tale is fascinating and the plot thickens, as they say, with a marvelous twist that caught me totally off guard. Wonderful performances by all especially Joan Plowright who kept me laughing whenever she was on screen. It was nice to see Mia Farrow successfully widening her range, and Natasha Richardson wafted through the film with an aire of mystery about her -as did Farrow- commanding out attention throughout.
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