Everything in town appears calm, placid, lovely. But Woyzeck, a rifleman assigned as an orderly, hears voices -- the times are out of joint, at least in his cosmos. To his captain, Woyzeck ...
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A large, claustrophobic apartment is the setting for this intense chamber drama. In this dense setting, the inhabitants of the apartment reveal their darkest secrets, fears, obsessions and hostilities.
Miklós Székely B.
Kafia is 17 years old. Two years ago, she fled to Europe, Hungary on her own, escaping from a child marriage in Somalia. She has been living in a state children's home in Budapest ever ... See full summary »
33-years old Tamás Merthner is heartbroken, after his girlfriend Anna, who is on a scholarship in Paris, breaks up with him. While wallowing in self-pity, Tamás takes a trip down memory ... See full summary »
Everything in town appears calm, placid, lovely. But Woyzeck, a rifleman assigned as an orderly, hears voices -- the times are out of joint, at least in his cosmos. To his captain, Woyzeck is a comic marvel: ignorant but courageous, full of energy to littWritten by
János Szász's WOYZECK updates Georg Büchman's 1837 tragedy, shifting the action from the German provinces to modern Budapest and recasting its soldier protagonist as a lowly railway flagman. Lajos Kovács (WINGS OF DESIRE) stars as the misused Woyzeck, who ekes out a miserable existence sweeping train tracks, running errands for a bullying army captain and acting as a human guinea pig for a local doctor with ideas about free will. When his common-law wife begins an affair with a local cop, Woyzeck's pocket Bible and near-starvation diet point him on a downward spiral of twisted redemption.
While director Szász has taken certain liberties with the text he eliminates the character of Andres, having Woyzeck confide in an unnamed youth who may be the specter of the son his rage will soon orphan his adaptation is remarkably faithful to Büchman's theme of the dehumanization of the common man by the machinations of Order and fleshes out the play's unsympathetic ciphers, making even the manipulative authority figures pathetically understandable. Tibor Máthé's searing black and white cinematography gives the film, with its industrial winter landscape, a nigh science-fiction ambiance, putting the viewer in the mind of Andrei Tarkovsky's STALKER and David Lynch's ERASERHEAD, whose befuddled Henry Spencer could be a cousin to Woyzeck.
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