6.3/10
231
10 user 1 critic

The Heidi Chronicles (1995)

Heidi Holland is a woman on the long and often bumpy road of self-discovery from the 1960s to 1990s. The movie follows her path from high-school egghead, to feminist supporter, to ... See full summary »

Director:

Paul Bogart

Writers:

Wendy Wasserstein (play), Wendy Wasserstein (teleplay)
Reviews
Nominated for 3 Golden Globes. Another 2 wins & 4 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Jamie Lee Curtis ... Heidi Holland
Tom Hulce ... Peter Patrone
Peter Friedman ... Scoop Rosenbaum
Kim Cattrall ... Susan
Eve Gordon ... Lisa
Sharon Lawrence ... Jill
Julie White ... Fran
Debra Eisenstadt
Roma Maffia
Shari Belafonte ... April Lambert
John Saint Ryan ... Nick (as John St. Ryan)
Nicki Vannice Nicki Vannice
Ivette Soler ... Abby
Erin Tavin Erin Tavin ... Marion
Jessica Hecht ... Chloe
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Storyline

Heidi Holland is a woman on the long and often bumpy road of self-discovery from the 1960s to 1990s. The movie follows her path from high-school egghead, to feminist supporter, to intellectual art dealer/mother, and chronicles her ups and downs and revelations.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

15 October 1995 (USA) See more »

Also Known As:

Alithini eftyhia See more »

Company Credits

Production Co:

TNT See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono | Stereo

Color:

Color
See full technical specs »
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Did You Know?

Trivia

The play "The Heidi Chronicles" won the Pulitzer Prize in Drama in 1989. See more »

Quotes

Heidi Holland: ...And that's for being so Goddamned...
Peter Patrone: ...Narcisstic? Supercilious?
Heidi Holland: No, um...
Peter Patrone: ...Sounds like?
Heidi Holland: Oh I give up!
See more »

Connections

Referenced in The 18th Annual CableACE Awards (1996) See more »

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User Reviews

As phony as a three-dollar bill.
18 May 2000 | by guldinSee all my reviews

This movie was incredibly bad. It had a terrible ear for dialogue, and for the kinds of choices middle-class, feminist women have had to deal with over the decades. Why is it that so many writers get that period so wrong? I could not watch it through to the end.


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