Omri, a young boy growing up in Brooklyn, receives an odd variety of presents for his birthday: a wooden cabinet from his older brother, a set of antique keys from his mother and a tiny plastic model of an Indian from his best friend Patrick.
Omri (Hal Scardino), a young boy growing up in Brooklyn, receives an odd variety of presents for his birthday: a wooden cabinet from his older brother, a set of antique keys from his mother Jane (Linsday Crouse), and a tiny plastic model of an Indian from his best friend Patrick (Rishi Bhat). Putting them all together, Omri locks the Indian inside the cabinet, only to be awoken by a strange sound in the middle of the night. Omri opens the cabinet to discover that the tiny Indian has come to life; it seems that he's called Little Bear (Litefoot), and he claims to have learned English from settlers in 1761. Omri hides this remarkable discovery from his mother but shares it with Patrick; as an experiment, Patrick locks a toy cowboy into the cupboard, and soon Little Bear has a companion, Boone (David Keith), though predictably, the cowboy and the Indian don't get along well at first. Omri comes to the realizations that his living and breathing playthings are also people with lives of ...
The name Omri means "The Lord is my life" and was the name of a Hebrew king whose story is told in I Kings 16. See more »
In the hallway of the school, Omri and Patrick are arguing because Patrick is trying to show Little Bear and Boone to some classmates. Patrick is against the wall as Omri yells at him. Note the goof when the young actor playing Patrick mouths much of Omri's dialogue in anticipation of his own lines. See more »
Forget reviews saying this is not as good as the book. No films are are a good as the book! Watch this movie with an 8 year old child and you will see how good the film is.
Thank you Frank Oz for a wonderful film. The acting from the young children is above average and the tearful ending just right for a young audience. Interesting to note Steve Coogan plays a miniature model come to life - something he repeats later in his career in A Night At The Museum. Typecasting?
The effects are also very good. Remember this is 1995 when CGI was in it's infancy - but the miniaturisation of the cast is flawless.
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