While she was growing up, Sabrina Fairchild spent more time perched in a tree watching the Larrabee family than she ever did on solid ground. As the chauffeur's daughter on their lavish Long Island estate, Sabrina was invisible behind the branches, but she knew them all below... There is Maude Larrabee, the modern matriarch of the Larrabee Corporation; Linus Larrabee, the serious older son who expanded a successful family business into the world's largest communications company; and David, the handsome, fun-loving Larrabee, who was the center of Sabrina's world until she was shipped off to Paris. After two years on the staff of Vogue magazine, Sabrina has returned to the Larrabee estate but now she has blossomed into a beautiful and sophisticated woman. And she's standing in the way of a billion dollar deal.Written by
Cyril Morcrette <firstname.lastname@example.org>
Sydney Pollack initially turned down the chance to direct the remake, thinking the material too dated to work effectively in 1995. Once he agreed to take it on, Pollack made sure he had the approval of the original's director, Billy Wilder. See more »
In one scene, Linus and Maude are talking while Maude is riding a stationary bike. When she stops, she keeps her hands on the handles with one handle farther forward than the other. As the camera angles switch back and forth, so does the hand which is forward. See more »
Once upon a time, on the north shore of Long Island, not far from New York, there was a very very large mansion, almost a castle, where there lived a family by the name of Larrabee. There were servants inside the mansion, and servants outside the mansion; boatmen to tend the boats, and six crews of gardeners: two for the solarium, the rest for the grounds, and a tree surgeon on retainer. There were specialists for the indoor tennis courts, and the outdoor tennis courts, the outdoor...
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Passable remake about a chauffeur's daughter romanced by a likable young and his older brother , an aging tycoon
Light though overlong romantic comedy-remake (of the 1954 classic movie) with nice actors , luxurious scenarios and decent direction . The known story of Sabrina (this role is a good vehicle for Julia Ormond) , the chauffeur's daughter , who falls in love for a millionaire (Greg Kinnear in his film debut) , the handsome younger brother in the wealthy mansion where her daddy works . But then , his older brother (Harrison Ford a solid acting by this veteran actor) and their mother (Nancy Marchand) are opposed to this relation. As the older sibling attempts to woo her away for for strictly business issues .
Enjoyable romantic tale of a well-known story based on Samuel Taylor play titled ¨Sabrina Fair¨; it is packed with comedy , romance , agreeable situations and overall , emotion . Including some scenes from Paris which are particularly lovely and fun . Interesting and amusing screenplay based on the script written long time ago by Billy Wilder , Ernest Lehman and Samuel Taylor , being rightly adapted with surehand writing by David Rayfield and Barbara Benedek . Main cast is frankly excellent , though Julia Ormond as gorgeous young who has a longlife crush on Greg Kinnear -as a womanizer billionaire- are far from Audrey Hepburn and William Holden respectively . This fine cast works , giving acceptable interpretations , though inferior to original and classic picture (1954) by Billy Wilder and starred by Humphrey Bogart , Audrey Hepburn, , John Williams , Martha Hyer , Francis X Bushman . Support cast is pretty well , and plenty of familiar faces such as John Wood , Richard Crenna , Dana Ivey , Paul Giamatti , Lauren Holly , Fanny Ardant , Patrick Bruel , Elizabeth Franz , John Wood as the old chauffeur of the household where Sabrina falls in love , among others . Colorful as well as glamorous cinematography by Giuseppe Rotunno , Federico Fellini,'s regular cameraman . Marvelous and sensitive musical score by the great comp0ser John Williams , Spielberg's usual.
This motion picture reboot -acceptable if overlong for a romantic yarn- was professionaly directed by Sidney Pollack , but without originality . Polack (dead at 72) was a classic writer and filmmaker who wrote and directed several successes such as ¨Jeremiah Johnson¨ , ¨Three days of the Condor¨ , ¨Out of Africa¨, ¨The Keep¨, The interpreter¨ , ¨Tootsie¨ , ¨The Firm¨ and many others .
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