Michael Chambers returns home to celebrate his mother's marriage. Michael had been ousted from his home town due to his gambling indiscretions and had left his wife to deal with the mess he created. He now must reassimilate back into the town, renew his relationships with his family and friends (and enemies) and, most of all, seek out his ex-wife to woo her again. In the process, he obtains a job working with his mother's new husband as an armored car driver. He almost seems the perfect prodigal son as he finds his niche back in the community and his way back into his ex's heart. His troubles surmount when he and his wife are caught in the act by her hoodlum boyfriend/fiancé. To get out of this predicament, Michael must concoct a plan to heist of a payroll being carried by his armored car company.Written by
Joel Schesser <firstname.lastname@example.org>
Soderbergh's showoffy stylistics (color filters, flashbacks, first-person point-of-view shots) try - and mostly fail - to "spice up" a cliched and insignificant plot. Don't bother looking for anything fresh in this movie, it's the same old drifter-back-to-his-hometown / femme fatale / dangerous husband / heist-gone-wrong / last-minute-betrayal storyline. Peter Gallagher's detached, almost catatonic approach seriously affects the movie, but Alison Elliott shines playing the most complex by far character in the film and William Fichtner impresses even in his completely stereotypical bad-guy role. (**1/2)
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