A former FBI profiler with the ability to look inside the mind of a killer begins working for the mysterious Millennium Group which investigates serial killers, conspiracies, the occult, and those obsessed with the end of the millennium.
While assisting the FBI in the hunt for an escaped serial killer, a mad doctor he put in prison, Frank unknowingly meets his demonic, inhuman nemesis and the mastermind of unspeakable evil who claims...
The Millennium Group invite an ex FBI profiler who has the ability to sight the evil of the mind of serial killers. The Millennium Group is an ancient group of people with special abilities to see good and evil.
The X-Files' Lone Gunmen, their action-loving man-childish sidekick and patron, Jimmy Bond, and their sexy master thief frienemy, Yves, investigate crimes and conspiracies, often in a silly, comedic and over the top fashion.
An NTSB investigator seeking the cause of an airline disaster meets a warrior woman from 1000 years in the future. She replaces the people from airplanes before they crash with corpses with the same features.
Daniel J. Travanti
Millennium after the Millennium is a new documentary focused on Chris Carter's landmark television series Millennium. Set twenty years after the show ended, we look back at what makes Millennium so enduring to fans and critics alike.
Jason D. Morris
A modern revival of the classic science fiction horror anthology show The Outer Limits (1963). Episodes often have twist-endings and involve aliens. Sometimes, a story from one episode continues in a later episode.
A specially gifted man, with the ability to instantly master any skill, escapes from a secret testing facility and travels the country taking on different jobs and helping strangers while hiding from his kidnappers.
Michael T. Weiss,
A former FBI profiler moves his family from Washington DC to Seattle, where he joins the Millennium Group, a mysterious organization of former law enforcement officers, committed to battling a crime wave which grows as the turn of the millennium approaches.Written by
Alexander Lum <email@example.com>
Frank Black's yellow house is different in the rest of the series from the pilot as the original neighborhood didn't want a film crew camped out there on a semi-permanent basis. The replacement house was the same house as used in the second ever episode of "The X-Files". See more »
Very few people understood what Millennium was about, but for its fans, it remains a very stirring drama. A lot of critics misrepresent Millennium as some kind of gloomy police drama, when the cases that Frank Black investigated during the course of season one were merely vehicles in which to explore the grayer shades of humanity.
Only about half of the twenty-two episodes during the first season were concerned with just serial killers--far less than critics like to think. Look closer and you'll see that episodes like the pilot, "Gehenna," "The Judge" and "Sacrament" had supernatural/apocalyptic elements to them, which make them far less mundane than some might initially think. ("Gehenna" even had visuals of a winged beast, or Legion as the fans dubbed him, descending from the sky.)
Regarding those other, say, eight or ten serial killer episodes, Millennium addressed the big questions: What made these men? What can society do to stop them? You won't hear the investigators on CSI or Law & Order ask these questions, unless in a glib, sarcastic way. Those programs are all about police procedure. To me, *that's* depressing. When Frank looked 'into the minds of killers,' he was trying to understand them, sometimes even sympathize with them. These killers weren't evil people. They were tragic people that did evil things--most were victims themselves. Millennium gave human faces to ghastly perpetrators.
The latter season one episodes stray from the serial killer motifs. "Force Majeure" involves a man in an iron lung who preaches about a planetary alignment that will have cataclysmic consequences. "Walkabout" sheds light on Frank's past when he participates in a clinical trial for an experimental drug that might suppress his 'gift.' "Maranatha" takes Frank to the Russian district of New York in pursuit of Yaponchik, who may be the Antichrist. And then there's the stunning "Lamentation"/"Powers, Principalities, Thrones and Dominions" two-parter, in which devils and angels aren't merely a concept, but physically exist alongside Frank and his colleagues!
Millennium also isn't relentlessly gory or downbeat. Look at the endings of "The Well Worn Lock," "Powers," or especially "The Wild and the Innocent"--still one of the most uplifting hours of television I've seen to this day. A lot of the show's early work is about criminals taking responsibility, victims learning to heal, and how Frank, and his family and friends, come to an understanding about Why Bad Things Happen. Don't be so dark, critics. Millennium--seriously!--is not.
Season two of Millennium is nothing short of brilliant, but the foundation is laid here. Strong scripts, talented actors, exceptional production values, and timeless themes (the tolls of work on family life, humanity's struggle with evil, temptations of the Devil, faith and religion, corruptions in governments and organizations) make all three seasons of Millennium a MUST BUY. Don't let mistaken critics, or lackluster DVD sets (a show this rich needs more commentary!), dissuade you from owning one of the best shows of the 90's, nay, of all time.
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