The Evening Star (1996) - News Poster


The B-Side – Jack Nicholson

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars and not the movies that made them famous or kept them famous, but the ones they made in between.

Today we tackle legend Jack Nicholson, a movie star who has got enough B-Sides to warrant a handful of episodes. We bring back one of our favorite guests to do the job: Katherine Clark Gray, playwright & screenwriter for Uncompromised Creative as well as podcast writer for “Masters of Scale with Reid Hoffman”.

The films we cover today include: The Two Jakes, Man Trouble, The Evening Star, The Pledge and How Do You Know. We discuss Jack Nicholson and Robert Towne’s failed hopes for a third Chinatown movie, the insane amount of money Jack was paid for How Do You Know and why his performance in The Pledge is one of the best he’s ever given.
See full article at The Film Stage »

Clement von Franckenstein, Actor in 'The American President,' Dies at 74

Clement von Franckenstein, Actor in 'The American President,' Dies at 74
Clement von Franckenstein, the urbane British actor who portrayed the president of France opposite Michael Douglas and Annette Bening in The American President, has died. He was 74.

Von Franckenstein died of hypoxia on Thursday at Cedars-Sinai Medical Center in Los Angeles, filmmaker Gabriel Murray told The Hollywood Reporter. He had been in an induced coma for 10 days.

He also had roles in Lionheart (1990), starring Jean-Claude van Damme; in Death Becomes Her (1992), with Meryl Streep; in The Evening Star (1996), with Shirley MacLaine; and in Hail, Caesar! (2016), with George Clooney.

And he appeared as himself in Henry Jaglom's ...
See full article at The Hollywood Reporter »

Shirley MacLaine Vows to Help Films With Older Actors Succeed Commercially

Shirley MacLaine Vows to Help Films With Older Actors Succeed Commercially
Shirley MacLaine affirmed her commitment to making films about older people as she accepted a Lifetime Achievement Award at the Texas Film Awards. “I am so thrilled now at my age to be part of the independent film world,” she said. “I want to thank you for reminding me that I am not going anywhere, and anyway I would come back right away.”

In his introductory remarks, Austin-bred filmmaker Richard Linklater touted “Terms of Endearment,” “The Evening Star,” and his own more recent film, “Bernie,” as three Texas films starring MacLaine that made her “an honorary Texan.”

Read More: SXSW 2017: 13 Must-See Films At This Year’s Festival

The beloved actress opened her acceptance speech with a political joke, suggesting that Austin progressives “Should build a wall around this city.” Taking a more serious turn, the actress affirmed her commitment to making films that “serve the quadrant that is forgotten and underserved,
See full article at Indiewire »

The Best Picture Oscar winners that had sequels




More Best Picture Oscar winners have had sequels than you may think. This lot, in fact...

There’s still an element of snobbery where sequels to certain films is concerned. Whereas it’s now almost compulsory to greenlight a blockbuster with a view of a franchise in mind, it’s hard to think of most Best Picture Oscar winners being made with a follow-up in mind. Yet in perhaps a surprising number of cases, a sequel – or in the case of Rocky, lots of sequels – have followed.

These cases, in fact…

All Quiet On The Western Front (1930)

Followed by: The Road Back

Don’t be fooled into thinking sequels for prestigious movies are a relatively new phenomenon. Lewis Milestone’s 1930 war epic All Quiet On The Western Front, and its brutal account of World War I, is still regarded as something of a classic. A solid box office success,
See full article at Den of Geek »

The Summer That Rebooted the Reboot

Does Hollywood try to remake/sequelize/franchise-extend every single one of its successful movies? Sometimes it feels that way, but there’s a little more nuance to studio practices than that. If you’re looking for meaning in this summer’s blockbuster season – not always easy – you could call it Dr. JurassicMax or How Hollywood Learned to Stop Worrying and Love the Reboot. Rebooting franchises isn’t as common, well-received, or lucrative as you might think. Today let’s look briefly at the history of the reboot – and how this summer changed it.

First, what technically counts as a reboot? One school would say that anytime the cast shuffles, it’s a reboot, meaning we’re now on the second reboot (and third iteration) of Spider-Man films. That’s pretty rare; far more often, duration between films is the deciding factor, and it just doesn’t feel right to slap
See full article at SoundOnSight »

Stars who reprised Oscar winning roles

Michael Douglas. Anthony Hopkins. Just two actors who've returned to play the parts that won them Oscars...

When Oscar glory comes knocking for a successful Hollywood actor, it must be hugely tempting when the chance arrives for them to reprise that award-winning role. But while sequels and reboots are a common enough sight in the movie industry these days, examples of stars who've returned to their Oscar-winning roles are relatively few and far between.

The reason, perhaps, is because it's so difficult to recapture the creative lightning in a bottle that led to the Oscar win in the first place. Nevertheless, some actors do occasionally take up the offer and return to the filmmaking well. And as the list below proves, the results can sometimes be highly accomplished - though seldom quite as powerful and fresh as the films they're following...

Gene Hackman

Won for: The French Connection

Played the
See full article at Den of Geek »

Burning Questions: What Kind of Sequels Should Be Made?

I've hijacked Michael C's column this week because I have a burning question of my own to ask. 

With that hot buzz for Before Midnight from Sundance warming the expectant hearts of even the coldest cinephiles this winter (it'll win more fans in warmer temperatures next month at SXSW), I've been thinking about movie sequels. Why do we get them, how we receive them, and whether or not we need them.

The first and usually sole reason of "why" is money. Humans are creatures of habit so it's an organic reality that nearly every artform indulges in sequels (whether they're named as such or not) and has since long before "branding" was a term people without business acumen understood. Branding is so common and catch-phrasey now that even non-sequels feel like sequels. What is, for instance, each new Johnny Depp and Tim Burton collaboration but an endless series of sequels Johnny & Tim: Now.
See full article at FilmExperience »

Jack Nicholson Movies: Rating The Actor's Best And Worst Films

What's Jack Nicholson's secret? Maybe it's the eyebrows, hovering like ironic quotation marks over every line reading. Maybe it's the hooded eyes, which hold the threat of danger or the promise of joviality -- you're never sure which. Same with that sharklike grin. Or maybe it's the voice, which has evolved over the years from a thin sneer to a deep rumble, but is always precisely calibrated to provoke a reaction. Put them all together, and they say: "I am a man to be reckoned with. Ignore me at your peril." Nicholson, who turns 75 on April 22, is often criticized for relying on his bag of tricks, for just showing up and doing Jack Nicholson (though indeed, he often seems to have been hired precisely for that purpose). But he's also capable of burrowing deep into a character, finding his wounded heart, and revealing the ugly truth without fear or vanity.
See full article at Moviefone »

'G.C.B.' backstage drama: Darren Star off the set of ABC's new series

Darren Star, one of the executive producers of ABC's midseason series "G.C.B.," is no longer on the show's set and has been told not to communicate with the show's other EPs.

Star ("Sex and the City," "Melrose Place") is still working on the show, but any notes he has on scripts or other aspects of the show are being funneled through ABC Studios, Deadline reports, rather than going directly to creator Robert Harling and showrunners Gretchen Berg and Aaron Harberts.

Why? According to Deadline, Star and Harling -- a veteran screenwriter who's doing his first series -- had a falling out, in part over the way ABC was positioning "G.C.B." as a show from Star. (Harling wrote the play "Steel Magnolias" and the movie adaptation, as well as the screenplays for "The First Wives Club" and "The Evening Star," which he also directed.)

Continuing tension led
See full article at Zap2It - From Inside the Box »

'Wall Street: Money Never Sleeps' Inspires A Look Back At Late-Arriving Sequels

by Max Evry

Why do we crave sequels? Is it to revisit characters we fell in love with the first time around? To see a property improved upon by new talent? Before the "Godfather"'s and "Star Wars"' of this world, there was a time when sequels were frowned upon in Hollywood. Now they are the kneejerk reaction to nearly any film that makes bank, usually within two or three years of the original’s release. Sometimes, though, it takes a little longer…

Oliver Stone’s "Wall Street: Money Never Sleeps" is part of a tradition of late sequels, in this case a whopping 23 years after the 1987 original, which won Michael Douglas an Oscar for his portrayal of financial shark Gordon Gekko and put Stone firmly on the map. It is a rare sequel which brings back both the original stars (including a hilarious Charlie Sheen cameo) and production
See full article at MTV Movies Blog »

See also

Showtimes | External Sites

Recently Viewed