London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists. Verloc has made his living spying for the Russian government, an agent ...
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Jonathan Rhys Meyers,
London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists. Verloc has made his living spying for the Russian government, an agent provocateur of sorts, while simultaneously providing information to the London police, specifically Chief Inspector Heat. When the new Russian ambassador demands he prove his worth or lose his salary, Verloc sets off a tragic chain of events that involves his pretty young wife Winnie, her intellectually disabled brother Stevie, and a figure called the Professor, whose fascination with explosives and destruction makes him the person to call on when Verloc needs a bomb.Written by
Gary Dickerson <firstname.lastname@example.org>
Worth watching through.. don't bail out in the middle.
I'm constantly amazed how well Conrad is adapted by modern film makers. The political intrigue can be mostly ignored, as it is slight and not very interesting. What this movie does well is depict human emotions and reactions in difficult situations, and here is where the well picked cast delivers. Robin Williams is unbilled, but provides a fascinating character study of a true anarchist which contrasts nicely against Bob Hoskins' unwilling agent role. I was beginning to grow tired in the middle of the film, thinking the shallow political action was the ending, but the later intense focus on the human reactions and struggles following the incident do a wonderful job of drawing you back in.
15 of 22 people found this review helpful.
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