Compilation of four short films about homoerotic situations involving young men. Tom DeCerchio directed "Nunzio's Second Cousin", telling the story of a gay cop who forces a gay-basher to ...
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Each of the three short films in this collection presents a young gay man at the threshold of adulthood. In "Pool Days," Justin is a 17-year old Bethesda lad, hired as the evening life ... See full summary »
Lorenzo is a quiet teenager who lives with his parents and his younger brother in small city in the Argentinean Patagonia. One day, a family friend's son named Caíto moves south and settles... See full summary »
20-year-old Will is on his stag-do when, handcuffed to a lamppost, he is rescued by Michael. The attraction between the two men is immediate. But back at Michael's apartment, Will is sent into a tailspin of shame and confusion.
On his family's farm in rural Iowa, young Jack Gudmanson is wrestling with his sexual identity, not an easy thing to do in the macho world of the Midwest. But things become clearer for him ... See full summary »
Compilation of four short films about homoerotic situations involving young men. Tom DeCerchio directed "Nunzio's Second Cousin", telling the story of a gay cop who forces a gay-basher to come to his house and have dinner with his family. In "Alkali, Iowa", by Mark Christopher, a young gay man finds out some of his father's past secrets. And "Must Be the Music", by Nickolas Perry, follows four teenagers looking for love in nightclubs.Written by
First film is predictable but not bad; the last three more than make up for it.
I thought the first short film on this DVD, about the clubbing teens, was trite, except for Milo Ventimiglia and the ending. It's the only one of the four that's a predictable (but not too bad) "gay" movie. The last three films are unusual, each in its own way, and they're all outstanding.
Matt McGrath's performance as the son in DadShuttle is some of the most beautiful acting I've ever seen anywhere, speaking words so realistic and unmovielike that they'd have sounded pretentious spoken by anybody else. Coming from him they're sublime. (Only mediocre actors become big stars. The truly great ones, like McGrath, never do. It's crazy.) I'm glad Trevor was taken out of this collection and issued separately. If it hadn't been I'd probably never have seen DadShuttle.
Alkali IA feels like great literature presented with lovely restraint and grace. I liked it a lot. The real surprise in this set, though, is Vincent D'Onofrio and Eileen Brennan's hilarious dark comedy about a tough gay Italian cop and his mother. Every second of that film is pure delight.
This collection is much better than the first Boys Life (I'm watching the series in order), which surprised me because reviews trend the opposite way. Maybe it's because the three great films in this set are about and for adults, more intelligent and creative than most. They don't fit too comfortably under the "boys" banner, though. It'll be interesting to see how the rest of the series plays out.
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