6.9/10
6,129
74 user 91 critic

The Dancer Upstairs (2002)

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0:34 | Trailer
A police detective in a South American country is dedicated to hunting down a revolutionary guerilla leader.

Director:

John Malkovich

Writers:

Nicholas Shakespeare (novel), Nicholas Shakespeare (screenplay)
1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Javier Bardem ... Agustín Rejas
Juan Diego Botto ... Sucre
Laura Morante ... Yolanda
Elvira Mínguez ... Llosa
Alexandra Lencastre Alexandra Lencastre ... Sylvina Rejas
Oliver Cotton ... Merino
Luís Miguel Cintra Luís Miguel Cintra ... Calderón
Javier Manrique ... Clorindo
Abel Folk ... Ezequiel / Durán
Marie-Anne Berganza Marie-Anne Berganza ... Laura
Lucas Rodríguez Lucas Rodríguez ... Gómez
Xabier Elorriaga ... Pascual
Natalia Dicenta ... Marina
Wolframio Sinué ... Santiago
Ramiro Jiménez Ramiro Jiménez ... Sergeant Pisac
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Storyline

The story of Detective Agustin Rejas, a man clinging to the hope of an impossible love in an impossible world. Tracking Ezequiel, a delusional anarchist who incites the downtrodden masses to join in his brutal revolution against the fascist government in their unnamed Latin American country, Rejas finds solace in his sense of self-respect and the joy that his daughter and wife bring him. Then he meets Yolanda--his daughter's soulfully beautiful ballet teacher--a woman who sparks his long-forgotten passions and represents all that is good and all that is corrupt in their troubled country. But she, who appears to be a shelter from the storm, may in actuality be the storm's eye. Ultimately, as the revolution intensifies and the net closes around hunter and hunted alike, the dancer's truth will prove as elusive as the revolutionary's cause and the detective's peace. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

An honest man caught in a world of intrigue, power and passion.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence, and for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Spain | USA

Language:

English | Quechua | Spanish

Release Date:

23 May 2003 (USA) See more »

Also Known As:

Sendero de sangre See more »

Filming Locations:

Ecuador See more »

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Box Office

Opening Weekend USA:

$106,142, 4 May 2003

Gross USA:

$2,377,348

Cumulative Worldwide Gross:

$5,227,348
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In the beginning of the film, one of the revolutionaries tells a checkpoint security guard that his dead dog's name is Tupac. Tupac Amaru was the last indigenous leader of the Inca people in Peru and Tupac Amaru II was the leader of the 1780s uprising in Cuzco, Peru (the late hip-hop artist Tupac Shakur is named after the latter). See more »

Goofs

When they are searching through garbage, the female officer's mask (which is around her neck) appears on her mouth for one shot. See more »

Quotes

[first lines]
Indian 1 in Pick-up: [calmly after hitting road-side cop, about person on radio] Why does she talk so much?
Ezequiel: [equally calm] She's preparing to sing.
See more »

Crazy Credits

The producers would like to thank ... the residents of Narcisos Street ... See more »

Connections

References Zorba the Greek (1964) See more »

Soundtracks

Pearl Curtain in the Moon
Written by Liping Wang (as Wang Liping) and Wu Ming Xiao Zi
(SSS 034CD /17; Sonoton Creative Sound Solutions)
© Sonoton Music GmbH & Co. KG
Authorized by Multimusic, S.L.
See more »

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User Reviews

 
Gripping
31 December 2002 | by ian_harrisSee all my reviews

Very closely based on Guzman and the Shining Path Maoist terrorists in Peru, this movie is compulsive viewing.

The plot is fairly standard good cop tracks down bad guys - there are no bonus points for this plot. Indeed, some of the coincidences that arise as the film goes on are the weakest link in this otherwise near-flawless movie.

There has been much talk about the violent scenes in this movie, which are many, but especially the scenes with animals. My view is that it is no more morally wrong to depict violence to animals than it is to depict violence to humans, as long as no animal (or human) is actually harmed in making the depiction. We are told that none of the animals were harmed in the making of the film (and presumably also none of the people). As far as I am concerned that is the end of that matter - the use of animals, unhamred, for this purpose is acceptable. To argue otherwise I find, frankly, daft. However, I would recommend that people who get particularly upset when violence to animals is depicted should simply avoid this movie.

Back to the movie - the acting and the cinematography are superb. It is gripping - the film is 135 minutes long which is well past my attention span unless the film is really good. This film is just that.


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