Two British best friends and in-laws Dawn and Jackie work together at a factory. When Dawn is diagnosed with a brain tumor Jackie shares $100,000 she's got from her secret lover with Dawn ...
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A shy reclusive lady is convinced by an invisible entity to sing. Subsequently, she finds herself noticed by a sleazy talent agent and her talent being showcased on-stage. She also meets a kind but nervous man who becomes her best friend.
Harold Guppy moves into the Beasley household as a lodger. Before long Mrs. Beasley falls for him and eventually ends up in his bed. Her 13-year old daughter Joyce is aware of what is ... See full summary »
Gerald is a yuppie-like transvestite in his thirties. His wife arrives home earlier than expected and discovers female attire spread over their apartment. Not knowing anything about his ... See full summary »
A domestic farce exposes the eccentricities of a "typical" middle class, suburban family who find their lives thrown into a crisis with the unexpected arrival of one of the wife's old ... See full summary »
Stepping Out is a 1991 musical-comedy film directed by Lewis Gilbert, starring Liza Minnelli, written by Richard Harris and based on a play also written by Harris. Minnelli plays the role ... See full summary »
Two British best friends and in-laws Dawn and Jackie work together at a factory. When Dawn is diagnosed with a brain tumor Jackie shares $100,000 she's got from her secret lover with Dawn to fulfil her dream - a visit to Las Vegas. They buy two tickets and fly there..Written by
Northern accents and wide-eyed astonishment at Las Vegas aside, you could be forgiven that this was a Hollywood weepie rather than the working-class British drama it pretends to be. Brenda Blethyn's and (particularly) Julie Walters' performances are detailed and superb, but the cloying sentimentality (including some sick-making talk of angels) is heaped on to the extent that the film becomes tedious rather than sympathetic.
The first half of Girls' Night is enjoyable for its sheer joie de vivre in the face of serious illness, but after around 45 minutes this is lost in a sea of half-baked ideas, repetitive emotional 'scenes' and irritating semi-fairytale romances which upset the previously realistic atmosphere of the piece.
Other than the performances, something of a shapeless disappointment.
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