God is disappointed with the human race and wants his stone tablets back. An angel is given the assignment and, with Gabriëls help, tries to manipulate several humans on earth to get his ... See full summary »
A group of students arrives in a small town during a hiking expedition. Once there, the local priest accuses them of being communist agitators on the run from an army crack-down against ... See full summary »
Ernesto Gómez Cruz
The sharp, often hilarious satire that became the most successful film in Israeli history (until that time) is about new immigrants Sallah and his family, who are left in a shack near their... See full summary »
Comedy set in the 16th century. Brantome is a soldier embroiled in the religious wars but more interested in women, and has many mistresses among the ladies of the royal court, although his heart belongs to just one, Victoire.
Art critic Keller was once part of a far-left radical group. They contact him again 10 years later and ask him to assassinate a Chilean doctor and war criminal, who's visiting London, but Keller has lost his ideals and feels conflicted.
A highly successful lawyer realises, after a cardiac warning, that he may have squandered his life when he left his first wife and all the ideals of youth she stood for, to marry a neurotic poet and join the rat race for money & success.
A virtual roller coaster ride narrated by "Fiddler on the Roof" stage and film star Chaim Topol, this experience is a ride through the 3000 year history of Jerusalem. A semi-virtual ... See full summary »
While escaping from Nazis during the WWII, a Jewish man dug suitcases full of things dear to his heart in the ground two. The war deprived him of his family, and afterwards he endlessly turns over the soil of Antwerp to find the suitcases, which makes him look obsessed. He keeps checking old maps and keeps digging, trying to find, in fact, those he lost. His daughter Chaya is a beautiful modern girl looking for a part-time job. She finds a place as a nanny in the strictly observant Chassidic family with many children, although her secular manners clearly fly in the face of many commandments. One of the reasons she is accepted is that mother of the family is absolutely overburdened by the household, so she stays despite the resistance of the father, normally - an indisputable authority in the family. She develops a special bond with the youngest of the boys, four-year old Simcha, so far incapable of speaking. She teaches him while walking in the park, and it seems that during the ...Written by
Yan Mazor & M.Ivanov
Although Edwin de Vries is credited as the sole screenwriter, he admitted that he got some helpful input from Robert Mark Kamen in exchange for a painting created by director Jeroen Krabbé and a special thanks in the credits. One of Kamen's suggestions was to make Simcha (Adam Monty) mute, until his interaction with Chaja (Laura Fraser) slowly makes him talk again. Writer Carl Friedman, author of the original novel, was very enthusiastic about this addition, and regretted that she had not come up with the idea herself. See more »
There are movies about the tension between secular and religious Jews, and movies about Holocaust survivors. This one is both.
Chaiyah, a Jewish college-aged woman in Antwerp, Belgium, couldn't care less about her family's stories, and she finds the Chasidim to be particularly weird. A child of the sexual revolution, she's concerned with having a good time.
Through a family friend, she finds a job as a nanny for a Chasidic family. Although she's ready to quit the first day, she quickly develops a no, a kinship with the youngest boy with severe emotional difficulties. The boy, Simcha, can't speak, even though he's four, and when he's under pressure, he wets himself. Chaiyah brings him out. He begins talking, and even sings the Mah Nishtanah at the Seder.
The film shows us reasons for the Chasidic father's seeming aloofness to the youngest son, overt and less than overt anti-Semitism in Europe ("You don't look Jewish.") , and the ways the older generation has of dealing or coping with the past.
As the film progresses, Chaiyah becomes bonded with her people, which I think is the meaning of the final scene.
Some of the scenes can't really be appreciated without an understanding of Jewish culture and practice. I think this is particularly true of one of the late scenes between the two main women characters. It really floored me.
It's a real tear-jerker, but it's not without its happy moments.
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