A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
New York City. Forty year old Lee Simon, a critically panned two time novelist who works as a travel writer (a job he hates) to earn a steady living, tells his shocked wife of sixteen years, English teacher Robin Simon, that he wants a divorce. Although he had not been happy with Robin for some time, she who he feels is a bundle of Catholic repressions and neuroses especially when it comes to sex, Lee finally came to the conclusion about wanting a divorce upon attending his high school reunion and seeing a roomful of losers, he believing he turning into one of them if he didn't make a drastic change. He gets a job working as a journalist for an entertainment magazine, while he writes screenplays on the side, he believing the latter a good stepping stone to finishing his third novel if the screenplays works out. The journalist job includes conducting interviews with celebrities, not only to who he can pedal his completed screenplay, but also what he quickly learns to who he has easy ...Written by
According to Michael Lerner, he and Woody Allen did not get along, and they got into a heated argument on the set. In an interview with The A.V. Club, Lerner called Allen "a schmuck". See more »
When Lee crashes into the shop window when driving his Aston Martin with the supermodel played by Charlize Theron on the passenger seat, it is obvious that only the driver doing the stunt is present in the car and that nobody is sitting next to him. See more »
Well, I'm working on buying St. Patrick's Cathedral, maybe doing a little rip-down job and putting up a very very tall and beautiful building.
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Woody Allen is certainly a celebrity if attention from the tabloids is any judge and well qualified to write a film about Celebrity.
He lives openly in Manhattan amongst the rich yuppies he loves to write about and has attracted plenty of tabloid attention to do with his private life. Whether he has succeeded in presenting a film about the concept of celebrity is debatable though because this film throws itself in probably a dozen directions, not really leaving familiar Allen territory.
His films usually feature himself playing a character very like himself or a character who is recognisably Woody Allen. He's portrayed as a dithering, well meaning but self serving sophisticate who's friends and lovers spar their way through self induced minor crises of the heart.
Allen's films usually contain a myriad of set pieces, often centered about religious guilt and a fear of commitment, and they're nearly always very funny.
In Celebrity the English master actor Kenneth Branagh has taken the Woody Allen part playing a journalist Lee Simon with terrific energy and authenticity.
Lee is facing a mid life crisis. He confesses infidelities to his wife Robin (Australia's Judy Davis - in another wonderful performance) and then bounces from one disappointment with women and with his career to the next. He wants to write a novel but can't get together the courage. He no doubt fears he lacks the talent.
Robin on the other hand has a classic female Woody Allen female break down but then haltingly blossoms when Tony (Joe Mantegna) falls unreservedly in love with her. But can she cope even with this? In fact Woody Allen films are so much about lack of confidence and are seemingly so autobiographical that it's a wonder Allen hasn't lost his nerve in real life and ended up not being able to face Central Park or a movie studio at all. It's a wonder he's not permanently in therapy (perhaps he is!)
The secret must lie with the generosity and concern he feels for the rich cocaine and diamond social set he shares. His humor is warm and never cruel, although women may take issue with this.
There are some particularly demeaning (but not nasty) scenes for the women in Celebrity although humiliation isn't confined to the women. The men are often equally lost and at the mercy of their uncertainties and lack of clear direction in life.
Oh to be so spoilt! Woody Allen films are often about the nearly idle rich and more importantly about the selfish generation. Love affairs always seem to be temporary affairs, even if they last years, ready to make way for a new model.
Viewers, as often happens in a Woody Allen film, can play the star spotting game. As well as Kenneth Branagh and Judy Davis and Joe Mantegna there's Leonardo DiCaprio, Gretchen Mol,, Famke Jansen, Winona Ryder, Bebe Neuwirth, and Charlize Theron to recognise.
The wit is often sharp and very funny with solid stabs being made at Catholic idolatry, the media, supercilious film directors and spoilt brat stars. There's a fine moment of two some, hilarious, some touching.
The Woody Allen moaning becomes a bit of a whine once or twice but Celebrity wins hands down with plenty of fine, fun dialogue and beautifully realised photography and a final meekly despairing plea from the scared to be committed.
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