7.5/10
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Gods and Monsters (1998)

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The last days of Frankenstein (1931) Director James Whale are explored.

Director:

Bill Condon

Writers:

Christopher Bram (novel), Bill Condon (screenplay)
Won 1 Oscar. Another 37 wins & 33 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Ian McKellen ... James Whale
Brendan Fraser ... Clayton Boone
Lynn Redgrave ... Hanna
Lolita Davidovich ... Betty
David Dukes ... David Lewis
Kevin J. O'Connor ... Harry
Mark Kiely ... Dwight
Jack Plotnick ... Edmund Kay
Rosalind Ayres ... Elsa Lanchester
Jack Betts ... Boris Karloff
Matt McKenzie ... Colin Clive
Todd Babcock ... Leonard Barnett
Cornelia Hayes O'Herlihy ... Princess Margaret
Brandon Kleyla ... Young Whale
Pamela Salem ... Sarah Whale
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Storyline

The story of James Whale, the Director of Frankenstein (1931) and Bride of Frankenstein (1935), in the time period following the Korean War. Whale was homosexual, and develops a friendship with his gardener, an ex-Marine. Written by James Fortman <sydb1367@rocketmail.com>

Plot Summary | Plot Synopsis

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for sexual material and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Gods and Monsters

Country:

USA | UK

Language:

English | Hungarian

Release Date:

4 November 1998 (USA) See more »

Also Known As:

The Father of Frankenstein See more »

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Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend USA:

$75,508, 8 November 1998, Limited Release

Gross USA:

$6,390,032, 23 May 1999
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

James Whale directed Valerie Hobson in Bride of Frankenstein (1935). Sir Ian McKellen, who plays Whale in this movie, previously played Hobson's husband, the British Conservative Member of Parliament John Profumo, in Scandal (1989). See more »

Goofs

When Whale is playing "strip interview" his cigar case appears and disappears from his hands between shots. He also opens it twice. See more »

Quotes

[first lines]
Hannah: [whispering] She was ugly when I brought her. I not like her. Mr. Jimmy not like her. Better you indicate, Mr. David.
David Lewis: Stop.
Hannah: Shhh.
See more »

Crazy Credits

The format of the end cast credits, headlined "A Great Cast is Worth Repeating," mirrors the way Universal gave their closing credits when James Whale was directing his horror classics. See more »


Soundtracks

Just Might Be Tonight
Written by Spencer Proffer and Steve Plunkett
Performed by Johnny Spark
Produced & Arranged by Spencer Proffer and Steve Plunkett
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User Reviews

Gods and Monsters is in my opinion one of the cinematic treats of the year.
25 July 1999 | by max-127See all my reviews

Gods and Monsters is in my opinion one of the cinema treats of the year if not one of the best of this decade. Disappointed by a visit to the Mod Squad, I visited ‘Gods' to cleanse my palate. It was enchanting from it's sensitive commencement to an emotional conclusion. It boasts a resonant story which holds it's audience entranced. The script adaptation left no scene lacking significance. Characters are proficiently crafted. Equally substantial, Bill Condon's perceptive Direction was facile and lucid. A mixture of colour and black and white imagery was deftly handled as was the juxtaposition of time person and place in the remembered and imagined sequences. Ian McKellen was the consummate performer as fading Hollywood screen Director James Whale enfeebled by a succession of strokes. The film is further enhanced by a splendid Award winning portrayal of the loyal house maid Hannah by Lyn Redgrave. I was stunned by 'The Mummy's' and 'Blast from the Past's' Brendan Fraser as the hapless and perplexed yardman Clayton Boone who is befriended by James Whale. Who would have thought that such a sensitive and in touch performance could come from the Encino Man. Both McKellen and Fraser team up in some empowering closing scenes. Here one character sees mirrored in the other character's disposition his own fears and emotions. Every facet of Gods and Monsters is admirable. Miss this and you have neglected a very special motion picture.


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