A lonely doctor, who once occupied an unusual lakeside house, begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
A depressed woman learns that her husband was killed in a car accident the previous day, then awakens the next morning to find him alive and well at home; then awakens the day after that to find that he's dead.
Sisters Sally and Gillian Owens have a special bond with each other despite being different in personality and outlook. Having grown up with their spinster Aunts Frances and Jet in the long time Owens family home on an island off the coast of Massachusetts following the death of their father and then their mother, they are the latest in a long line of witches. Rumors of the Owens women being witches have existed for generations in the small close minded town in which they live, despite there being no hard evidence. The Owens women are also under a curse that any man with who they fall in love is doomed. With this experience, extroverted Gilly decides to leave the island to live life to the fullest, in the process falling for Jimmy Angelov, an ethnic Bulgarian who grew up near Transylvannia. More introspective Sally, who has sworn off the use of magic except in its most practical sense, has taken measures not to fall in love because of the curse, but ends up falling for and marrying ...Written by
After bad reactions at a test screening, composer Michael Nyman's score was rejected at the last minute. It was called too European sounding and obtrusive. It was replaced with one by Alan Silvestri. The change was made so late that the soundtrack albums had already been pressed. As a result, the first batch to hit stores all had two suites of themes from Nyman's score. A few weeks later, a new version of the CD, with the exact same ISBN number, was made, replacing Nyman's tracks with music by Silvestri. See more »
After the exorcism Sally and Gilly take the cauldron from two women. It has just been taken from the stove and they are holding it with cloths. When they go to tip it up, Gilly holds the bottom of the cauldron in order to tip it up. See more »
Aunt Frances Owens:
For more than 200 years we Owens women have been blamed by everything that's ever gone wrong in this town.
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The two ladies are simply amazing! If sexy legs and cleavage and up-all-night sisterly cuddles are your idea of good-natured fun (not without a bit of funky twist of the supernatural), then this movie will do you justice. Mmm.
Personally, I've never felt such intensely contradicting emotions during the course of one movie. Most of the times I'm grimacing for better plot development. That is, can the story dump the cliches with more confidence and truly explore real-life issues of women such as abuse --- instead of using it as a stepping-stone for sexy actresses to get wicked and 'bewitched'?!) The stock characters of the female townies, always adversary to the sister-witches, are truly embarrassing.
The film remains superficial precisely because it touches on, rather than develops, very complex phenomena like fear of witches (read: powerful women), competition among women, abusive relationships, women's cinderella dreams, fitting in, female ambitions (examplary housewife or wild slut - your pick), etc etc etc!!!! Instead these issues are *exploited* for a *greatly* uneven film: a hodge-podge of romance, black/family comedy-drama, suspense, crime story, science fiction...We CAN still have a fun and exciting movie with a story that focuses on, respects, and gives its all to one or two of these topics without using them for their surface/shock values (really!)
It's highly possible that the film started out with a solid good script based on the book and gets tampered with by the studio for maximum appeal later on. The most horrifying aspects for me? The flying witches at the end (oh GAWD!) The strange cut from the sexual passions of the main romance to a weird-and-weak confrontation with the supernatural undead boyfriend (as if the effects people are itching to drop a load of Hollywood eye candy - even at expense of awkward development!) And the overall stereotypical typecasting of women.
The only enjoyable elements left of the film are the two female leads. I have to admire their courage and creativity in some of the absolutely ludicrous moments (midnight magarita, flying as witches, one nibbling on the other's ear...) And that atmospheric opener with grandma-witch who got knocked up by an unfaithful member of the male species and is crying up a storm toward an open sea?....just fastforward to Nic and Sandra. Or pop in Witches of Eastwick for a more acceptable film of a similar theme [just don't expect it to be as sexy;) ]
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