A young F.B.I. cadet (Jodie Foster) must receive the help of an incarcerated and manipulative cannibal killer (Sir Anthony Hopkins) to help catch another serial killer (Ted Levine), a madman who skins his victims.
Lawrence A. Bonney
Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother...Written by
somewhat ineffective special effects used in Mellish's final scene, which are noticeably unrealistic. The production seems to have used a fake lower body, which doesn't really match up well with the real head and shoulders of actor Adam Goldberg, who was presumably in a hollowed-out area underneath the floor. See more »
At the end of the movie the second Tiger approaches the bridge. the commander, who is sticking out of his hatch atop the Tiger, shouts down into the tank to fire at the building the Americans named the Alamo, but in the very next shot when the tank fires, he is not sticking out of the hatch anymore. See more »
[running to comfort his father]
[flashback to D-Day]
[shouting out the soldiers on the raft]
CLEAR THE RAMP! THIRTY SECONDS! GOD BE WITH YA!
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There are no opening credits after the title is shown. See more »
In the German-dubbed version of the movie, they were unsure how to distinguish dialog between the German and the American soldiers, since they would all be speaking German. In the end, they decided to address all the American soldiers by their English titles, such as "Sergeant" and "Captain". See more »
The opening beach assault sequences were the most violent, realistic, and upsetting filming I've ever seen; looked as though the thing was actual combat footage. The shushing noises of rounds cutting through the air was the most chilling part of all. Perfect portrayal of the insane stupidity of war and the anguish of all who enter this most foolish of enterprises. A must see.
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