A film adaptation of Dante's Inferno that was never realized. Depicts the entry of the Great Poet in the dark forest, the meeting with Virgilio, access to the Inferno and the journey ... See full summary »
Catania, Sicily, 1854. An epidemic of cholera is hitting the region. 16-year old novice Maria leaves her convent and returns home to avoid the plague. Her stepmother and her half-sisters ... See full summary »
Violetta meets Alfredo and quickly falls for him. After the lovers run away together, they live in bliss for a short time. However, Alfredo's father, Giorgio, starts to interfere, concerned... See full summary »
Go on a cross country adventure with Cher in her first dramatic film, Chastity. Chastity ('Cher') is a lonely young girl who is hitchhiking across the country in hopes of finding someone to... See full summary »
At a home for retired musicians, the annual concert to celebrate Composer Giuseppe Verdi's birthday is disrupted by the arrival of Jean (Dame Maggie Smith), an eternal diva and the former wife of one of the residents.
In 1935 a group of elderly British women, whom the Italians have named the Scorpioni, have chosen Italy, specifically Florence, as a place to live to blend their proper British sensibilities with their love of Italian art and culture. One of those Scorpioni, Mary Walsh, works as the English secretary for Paolo Innocente, who, in part because of his own wife's adamant refusal, largely neglects his illegitimate adolescent son, Luca, despite Paolo's want for Luca to grow up to be a proper young man, much like the English. Luca has lived in an orphanage since his dressmaker mother's death, death a concept that Luca does not yet understand. As such, he often runs away looking for his mother. On a mutual agreement between Paolo and Mary, Mary becomes Luca's guardian, she who will receive help in raising Luca by her fellow Scorpioni and financial help from Paolo as needed. Associated with the Scorpioni is a brash younger nouveau riche Jewish-American woman named Elsa Morgenthal, who, because...Written by
Elsa has cried her make up off and her hair is a mess right before she escapes. Then when she is waiting to meet the boat to take her to her freedom she is well coiffed and her face is beautifully made up. Her eyes are no longer red from crying. See more »
The love affair between the artistically-inclined English community and Florence was soon to be overshadowed by the clouds of war.
But at the moment the sun is still shining on the squares and statues, and the dictator Mussolini is the gentleman who makes the trains run on time.
Excuse me, are you the Consul?
Connie Raynor of the Morning Post. I'm fascinated to know what His Majesty's Consul in Florence makes of it all?
I can't believe your readers would be ...
[...] See more »
The MGM DVD, ISBN 0-7928-4300-2, is missing least one shot: The original tea with Mussolini scene ends with Mussolini forcing himself upon the reporter, forcing her onto his desk (i.e., he rapes her.) This DVD omits that ending and leaves the reporter's change in behavior unexplained. See more »
This film is directed and co-authored by Franco Zeffirelli, and I couldn't resist speculating on how much of it was actually true, since it is said to be based on Zeffirelli's autobiography. However, true in part, true completely, in the end it doesn't really matter. What matters is the amazing ensemble acting by Maggie Smith, Cher, Joan Plowwright, Judi Dench and Lily Tomlin (listing them in the order of significance to the story) and the stunning beauty of Florence where the film is set. The director and photographer plainly love the city, matching the love for it of the characters. Maggie Smith as the widow of a former British ambassador, the character that actually has tea with Mussolini, is the dominant figure in the film. However, Cher, playing a wealthy American -- vulgar in the eyes of he British ladies -- who turns out to be a complex, philanthropic Jew who must be smuggled out of the country in the end; Joan Plowwright as a kind lady who takes in the bastard son of an Italian businessman and teaches him to be an English gentleman; Judi Dench as an eccentric artist whose passion is to preserve a renaissance fresco from the Nazis during the war, and Lily Tomlin as a lesbian American archaeologist all deliver sterling performances. Cher's performance is the most amazing -- she holds her own in formidable company -- but one expects, of course, to be dazzled by Maggie Smith, Joan Plowwright, Judi Dench and even by Lily Tomlin. It's a sentimental, even melodramatic, tale, but see it for the ensemble acting. I can't think of another film that equals Tea with Mussolini in that respect.
21 of 23 people found this review helpful.
Was this review helpful to you?
| Report this