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X-Men (2000)

PG-13 | | Action, Adventure, Sci-Fi | 14 July 2000 (USA)
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In a world where mutants (evolved super-powered humans) exist and are discriminated against, two groups form for an inevitable clash: the supremacist Brotherhood, and the pacifist X-Men.

Director:

Bryan Singer

Writers:

Tom DeSanto (story), Bryan Singer (story) | 1 more credit »
Popularity
332 ( 91)
13 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
Hugh Jackman ... Logan / Wolverine
Patrick Stewart ... Professor Charles Xavier
Ian McKellen ... Eric Lensherr / Magneto
Famke Janssen ... Jean Grey
James Marsden ... Scott Summers / Cyclops
Halle Berry ... Ororo Munroe / Storm
Anna Paquin ... Rogue
Tyler Mane ... Sabretooth
Ray Park ... Toad
Rebecca Romijn ... Mystique (as Rebecca Romijn-Stamos)
Bruce Davison ... Senator Kelly
Matthew Sharp ... Henry Gyrich
Brett Morris ... Young Magneto
Rhona Shekter Rhona Shekter ... Magneto's Mother
Kenneth McGregor Kenneth McGregor ... Magneto's Father
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Storyline

In a world where both Mutants and Humans fear each other, Marie, better known as Rogue, runs away from home and hitches a ride with another mutant, known as Logan, a.k.a. Wolverine. Professor Charles Xavier, who owns a school for young mutants, sends Storm and Cyclops to bring them back before it is too late. Magneto, who believes a war is approaching, has an evil plan in mind, and needs young Rogue to help him. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

Trust a few. Fear the rest. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sci-fi action violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English

Release Date:

14 July 2000 (USA) See more »

Also Known As:

X-Men 1.5 See more »

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Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend USA:

$54,471,475, 16 July 2000, Wide Release

Gross USA:

$157,299,717

Cumulative Worldwide Gross:

$296,339,527
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital EX | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

To celebrate her last day on-set, Rebecca Romijn-Stamos brought in a bottle of tequila, which she gave to her fellow cast and crew during a break in filming. Unfortunately, that day she happened to be filming the Wolverine and Mystique fight scene, and she threw up blue-colored vomit (from the chemicals in her make-up) all over Hugh Jackman. See more »

Goofs

(at around 11 mins) When we see Wolverine's first full cage fight, every hit he took or made should have sounded metallic due to his adamantium enhancements, but we only hear the sound when Wolverine himself hits his opponent. See more »

Quotes

[first lines]
Prof. Charles Francis Xavier: [narration] Mutation: it is the key to our evolution. It has enabled us to evolve from a single-celled organism into the dominant species on the planet. This process is slow, and normally taking thousands and thousands of years. But every few hundred millennia, evolution leaps forward.
See more »

Crazy Credits

The X-Films' title sequences features a weapon used by the villain of each film, backed by the X-Men's Cerebro device. In this film it is Magneto's mutation machine. See more »

Alternate Versions

For the airing on cable network FX, Wolverine's response "You're a dick" is replaced with "You're a dork." See more »

Connections

Featured in Bad Movie Beatdown: Epic Movie (2010) See more »

Soundtracks

STILL I LONG FOR YOUR KISS
Written by Lucinda Williams and Duane Jarvis
Performed by Lucinda Williams
Courtesy of the Island Def Jam Music Group
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

Lee and Kirby's Finest Creation Comes to Life...
17 July 2000 | by Chiron1987See all my reviews

The film version of Stan Lee and Jack "The King" Kirby's best-selling comic book creation, X-Men, has finally succeeded where more than twenty years of four-color, superhero movies have failed. They have finally got it right...

It is a stunning cinematic experience, faithfully adapting nearly 40 years of continuity into a stream-lined, fast-paced, wonderfully exciting trip into the legendary Marvel Universe. X-Men features incredible portrayals of much of the classic mutant cast, especially virtual unknown (at least here in the States) Hugh Jackman as Logan, the Canadian wildman we all know and love as Wolverine. Jackman seems born to play this coveted role with every bit of gruff and grim gusto; his Wolverine looks as if he simply stepped off one of Chris Claremont and John Byrne's exquisitely crafted pages. The rest of the cast was also pleasantly well-casted and well-suited for their roles, including the handsomely chisled James Marsden as the stoic field commander Cyclops and the gorgeous Anna Paquin as the can-never-touch-but-wish-we-all-could Rogue. Famke Janssen and Halle Berry are beautiful and bold as Jean Grey and Storm, respectively, not just appearing as fleeting shards of eye candy, but actually adding depth and strength to the flow of the film. Patrick Stewart's excellent Professor Charles Xavier is in fine Stewart fashion, extrapolating on his Jean-Luc Picard character, and adding genuine compassion and warmth.

Ian McKellan is superb as the tortured master of magnetism, Magneto, playing the part with malicious glee, tempered with an extreme form of jingoism for his cause of the militant uprising of mutants over "normal" people. His Brotherhood of (Evil) Mutants is composed of Sabretooth, viciously and animalistically portrayed Tyler Mane, The Phanton Menace's Ray Park is the wickedly amusing Toad, and the stunning Rebecca Romaijn-Stamos is the shape-shifter Mystique. Park actually had the most to say of Magneto's henchmen, but it was appropriate as these three comprise an awesomely evil team of muscle and not philosophy like their leader.

The productions values were spectacular, as were the settings, taking us from a stark, malign concentration camp in Poland to the wilds of the Canadian north to the serenity of Westchester, New York to a mind-bending climax on Liberty Island. The action sequences were well-paced and action-packed, and much more smoother and better choreographed than any of the Batman films. The special effects, especially Wolverine's legendary adamantium claws, were truly awe-inspiring.

X-Men was meticulously directed by Bryan Singer, who along with 20th Century Fox, actually listened to and cared about what X-Fans thought and wished to see on screen. Although we would have all liked to have stayed in that theater for another 95 minutes, there are many more stories to tell, and God willing, Fox will let it happen.

Most importantly, X-Men finally gives Marvel Entertainment Group a firm footing on film, a foundation that was never fully in its grasp until the surprise hit of two years ago, Blade. Now that Marvel has discovered that it can succeed with its top-tier characters, the sky is truly the limit for its varied cast of great characters. I hope that Warner Bros. will sit up and take notice at what X-Men has accomplished. Maybe this will be a wake-up call to those studio executives in charge of Superman and Batman, and make them realize that the fans' input really does count in the end...

Highest recommendation!


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