Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Every man's dream comes true for William Thacker, an unsuccessful Notting Hill bookstore owner, when Anna Scott, the world's most beautiful woman and best-liked actress, enters his shop. A little later, he still can't believe it himself, William runs into her again - this time spilling orange juice over her. Anna accepts his offer to change in his nearby apartment, and thanks him with a kiss, which seems to surprise her even more than him. Eventually, Anna and William get to know each other better over the months, but being together with the world's most wanted woman is not easy - neither around your closest friends, nor in front of the all-devouring press.Written by
Julian Reischl <firstname.lastname@example.org>
Richard Curtis chose Notting Hill as he lived there and knew the area, saying "Notting Hill is a melting pot and the perfect place to set a film". This left the producers to film in a heavily populated area. Duncan Kenworthy noted "Early on, we toyed with the idea of building a huge exterior set. That way we would have more control, because we were worried about having Roberts and Grant on public streets where we could get thousands of onlookers." In the end they decided to film in the streets. See more »
After the porn scandal, Will finds Anna again at his door. Her hair is all tucked behind her ear in shots from the front. From behind, a bit of hair is hanging by her right ear. See more »
The thing is, with you I'm in real danger. It seems like a perfect situation, apart from that foul temper of yours, but my relatively inexperienced heart would I fear not recover if I was, once again, cast aside as I would absolutely expect to be. There's just too many pictures of you, too many films. You know, you'd go and I'd be... uh, well buggered basically.
See more »
The coloured dots and symbols pop up in time with the music (And when the word 'heart' is sung, a litte red heart appears) See more »
In the ABC airing, Spike's T-shirt to wear on his date with 'The Great Janine' says 'Let's Have Sex NOW!'. In the theatrical version the T-shirt says 'Fancy a Fuck?'. Also, some partial nudity is digitally covered. See more »
HOW CAN YOU MEND A BROKEN HEART
Written by Barry Gibb and Robin Gibb
Performed by Al Green
Courtesy of Gibb Brothers Music, administered by BMG Music Publishing Ltd
Courtesy of Cream/Hi Records Inc.
Licensed from Crimson Productions Ltd. See more »
The best parts are warm and clever--the worst parts you can live through, so do it!
Notting Hill (1999)
At first I though this was going south fast--the narration by Hugh Grant as the intro got going was straining too hard to be funny, and taking too long to click into gear.
But then it switched to a more usual romantic comedy, the kind that Grant has made his bread and butter (lots of both--he's really good at this). Later, when the narrative voice-over returns, it works just fine. He's the consistent charming low-key Hugh Grant that we've seen in many films before, and if you don't like him, you should steer clear. If you do, here you go!
Of course, there's Julia Roberts, too, and I find her completely fine, the dependable Roberts who really can't quite "act" but who is always likable and so acting isn't the issue. And to make it even easier, her role here is to be a huge mega-star actress. Which she already is. Voila, a perfect fit.
The magic and romance that is meant to spark between the two leads isn't always convincing, but there is a sparkling kind of dialog between them, and among extended family, that keeps it going. There is some really sharp writing here.
And there is some really stupid acting. The goofy roommate is just too goofy and caricatured for the rest of the cast, and he is given some of the weakest script to read, as well. The first appearance of Grant's family might strike you as forced, as well, but they gradually work their way into the film and are actually warm and very funny. I wish they had been larger and the roommate smaller in the plans.
Director Roger Michell has a short resume, including a well-regarded "Persuasion" which didn't persuade me (I like Jane Austen too much, I think). But there is a sensibility in that film that carries over here in some of the family scenes. Well done, as far as the script takes it.
Don't expect a great movie. It's entertainment, pure and simple, but enjoyable, and with some shining moments.
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