Joe Torre after failing to win a championship when he was a professional baseball player and as Manager to three teams is named Manager of the Yankees. And he finds himself having players ...
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In Texas in the late '60s, the Whit family meets for the funeral of grandfather Sparta. This, however, is no normal funeral, and the Whits are no normal family. Young L'il Sparta spies on ... See full summary »
Joe Torre after failing to win a championship when he was a professional baseball player and as Manager to three teams is named Manager of the Yankees. And he finds himself having players like Dwight Gooden, Wade Boggs and Daryl Strawberry who are considered has beens. And players like David Cone who are ill. But nevertheless thinks he can win with them. At the same he deals with the loss of one brother and another brother battling the same condition that killed his brother.Written by
During the brawl in Seattle, the game is being played outdoors on a sunny day upon a grass field with dirt base paths. In 1996, the Seattle Mariners played in the Kingdome, an indoor dome with artificial turf, and with no dirt base paths. See more »
The only comment I have seen on IMDb was a spoiler with which I disagreed.
This movie never set out or purported to be an artistic classic. It is just a simple movie about a baseball player/manager, his family and his major achievement.
Yes I like baseball although cricket is the game I'm most involved with. Yes I enjoyed this movie as a baseball lover.
What you will miss if you just treat this as a one-dimensional clunker is the wonderful warm vignettes of Italian family life portrayed by brilliant actors wonderfully cast. Not overdone or clouded by the Italian-American propensity to view their families too sentimentally.
Then you have the portrayal of top level athletes in the confines of their dressing rooms. Not hysterical, over the top psychopaths but calm, dedicated professionals doing something they desperately love. Here I have to nominate Isaiah Washington for his beautifully underplayed yet insightful portrait of a man wanting to atone for past misdeeds.
Hollywood produces overblown garbage hyped to the limits to recoup investors' funds. Yet when a gentle, small but highly professional film like this is made we fail to recognise that telling simple stories in an unadorned manner is what movie making lacks. This move tells a story. Simply, effectively, with skilled actors within type, who inhabit their characters to illustrate the story.
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