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The Siege (1998)

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The secret U.S. abduction of a suspected terrorist leads to a wave of terrorist attacks in New York City, which leads to the declaration of martial-law.

Director:

Edward Zwick

Writers:

Lawrence Wright (story), Lawrence Wright (screenplay) | 2 more credits »
2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Denzel Washington ... Anthony Hubbard
Annette Bening ... Elise Kraft / Sharon Bridger
Bruce Willis ... General William Devereaux
Tony Shalhoub ... Frank Haddad
Sami Bouajila ... Samir Nazhde
Ahmed Ben Larby Ahmed Ben Larby ... Sheik Achmed Bin Talal
Mosleh Mohamed Mosleh Mohamed ... Muezzin
Lianna Pai ... Tina Osu (as Liana Pai)
Mark Valley ... Mike Johanssen
Jack Gwaltney ... Fred Darius
David Proval ... Danny Sussman
Lance Reddick ... FBI Agent Floyd Rose
Jeremy Knaster Jeremy Knaster ... INS Official
William Hill ... INS Uniform
Aasif Mandvi ... Khalil Saleh
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Storyline

After the abduction by the US military of an Islamic religious leader, New York City becomes the target of escalating terrorist attacks. Anthony Hubbard, the head of the FBI's Counter-Terrorism Task Force in New York, teams up with CIA operative Elise Kraft to hunt down the terrorist cells responsible for the attacks. As the bombings continue, the US government responds by declaring martial law, sending US troops, led by Gen. Devereaux, into the streets of New York City. Written by Karen Eiler <keiler@sprintmail.com>

Plot Summary | Plot Synopsis

Taglines:

An enemy they can't see. A nation under siege. A crisis they can't control See more »

Genres:

Action | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and brief nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Arabic | Spanish

Release Date:

6 November 1998 (USA) See more »

Also Known As:

Blowback See more »

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend USA:

$13,931,285, 8 November 1998, Wide Release

Gross USA:

$40,981,289

Cumulative Worldwide Gross:

$116,672,912
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The title of the movie in Japanese is "Mâsharu·Rô" ("Martial Law"). See more »

Goofs

After the bus explosion, the blood on Hub's face disappears and reappears between shots. See more »

Quotes

Anthony 'Hub' Hubbard: All right, I'll tell you what I'm going to do. I'm going to take your boy Samir downtown, I'm going to strap his ass to a polygraph machine and I'm going to ask him questions about you. Then I'm going to take those transcripts, I'm going to take them to a friend of mine at the New York Times who just loves to write stories about the link between the CIA and political horror shows.
Sharon Bridger: If you burn him, you'll lose any chance you've got.
Anthony 'Hub' Hubbard: So what? It's lose-lose, isn't that what you said?
Sharon Bridger: I'm not ...
[...]
See more »

Alternate Versions

Some post-2001 versions have the World Trade Center digitally removed from the New York skyline. See more »

Connections

Referenced in Bad Movie Beatdown: BMB Spoony Experiment: Tekken (2011) See more »

Soundtracks

Great Leap Forward
Written by Jim Kerr (as James Kerr) and Charlie Burchill (as Charles Burchill)
Performed by Simple Minds
Courtesy of Virgin Records America, Inc.
See more »

Frequently Asked Questions

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User Reviews

This fictional movie showed us what was coming. And they showed us what not to do!
3 December 2004 | by metra2002See all my reviews

This was a very strange film. Strange, because it had so many of its facts right for 9/11. Right city, right jihadists, right plot.

And the military's answer to the terrorist threats? Go in, plunder, pillage, torture, abuse and kill the bad guys. Moral? If we stoop to their level, we are no better than the enemy. The real irony is, Denzel's character had the CHARACTER to do the right thing.

Oddly, and presciently, Bruce Willis' general was about to do all the wrong stuff, and with a little help from Denzel, decided not to resort to all the things we really have resorted to. This movie is notable for several reasons, but the uppermost is showing us the future we shouldn't take, but took anyway.

The irony is not lost. What is confounding here is how much of this originally semi-corny movie got right. Washington, Benning, Shaloub, and Willis, all deliver in a big fashion, with some pertinent warnings. The road not taken was the moral. How scary that in the long run, when presented by a much larger threat, we one-upped this movie's punch line in reality. How much stranger can you get than that?

This was a fairly realistic portrait of the underworld, the intrigue, the terrorism, and gave us a scary view of our future. Hopefully, next time a movie like this one comes along, we might be better served by taking it more seriously.


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