200 Cigarettes (1999)

A collection of twentysomethings try to cope with relationships, loneliness, desire and their individual neuroses.

Director:

Risa Bramon Garcia

Writer:

Shana Larsen

Stars:

Ben Affleck, Casey Affleck, Dave Chappelle

2 nominations.

Cast

Cast overview, first billed only:
Ben Affleck	...	Bartender
Casey Affleck	...	Tom
Jennifer Albano	...	Cheryl
Jenni Blong	...	Cheryl's Friend (as Jenny Blong)
Morgan Brown	...	French Rocker
Caleb Carr	...	Cynical Bar Patron
Dave Chappelle	...	Disco Cabbie
Elvis Costello	...	Elvis Costello
Guillermo Díaz	...	Dave (as Guillermo Diaz)
Angela Featherstone	...	Caitlyn
Patrick Frederic	...	Tiki Sobbing Man
Janeane Garofalo	...	Ellie
Gaby Hoffmann	...	Stephie
Kate Hudson	...	Cindy
David Johansen	...	Tiki Bartender

Storyline

New Year's Eve, 1981, the Lower East Side. Monica's having a party, but as late as 9, no one's there. She stews (and drinks). Folks are on their way, all looking for love, sex, or both. En route, paths cross, gambits misfire: a performance artist, her boyfriend until today and his long-time pal Lucy, two Long Island high-school girls, two punk rockers, a bartender, a Scottish painter who's lousy in bed, a pretty face named Jack who runs when women say they love him, his cute but clumsy date Cindy, two trendy vamps, a loquacious cabby, the man-crazed Hillary, and Elvis Costello. Nearly everybody smokes, and nearly everybody scores. And all get who and what they deserve.

---

Plot Keywords:

cigarette smoking | number in title | new year's eve | party | friend | 

---

Taglines:

It's 11:59 on New Year's Eve. Do you know where your date is?

---

Genres:

Comedy | Drama | Romance

---

Motion Picture Rating (MPAA)

Rated R for strong language and sexual content

Details

Country:

USA

Language:

English

Release Date:

26 February 1999 (USA)

Also Known As:

The Islander

Filming Locations:

New York City, New York, USA

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend USA:

$3,244,277, 28 February 1999, Wide Release

Gross USA:

$6,851,636, 9 May 1999

Company Credits

Production Co:

Dogstar Films, Lakeshore Entertainment, MTV Films

Technical Specs

Runtime:

101 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

During filming Casey Affleck mentioned to Kate Hudson that "Romeo and Juliet" by Dire Straits was one of his favorite love songs. Hudson secretly convinced Director Risa Bramon Garcia to play the song during Affleck's and Hudson's final scene together as a surprise for him. Casey Affleck didn't find out, until he watched the movie at the premiere.

---

Goofs

When Caitlyn and Bridget are talking to the bartender (when he tells them he's a law student) Bridget's straps switch from on her shoulders and off her shoulders.

---

Quotes

Jack: Look, what happened between us last night is like this ongoing problem with me. It happens all the time: I meet someone, we go home together, but then the next day it's...
Cindy: What? Next day what?
Jack: Well, they tell me that suddenly they've developed these feelings for me.
Cindy: What are you saying, that every woman you go home with falls in love with you or something?
Jack: Yes! It's like a curse! It never ends!
Cindy: A woman falls in love with you and you think that's a curse?
Jack: You have no idea!
Cindy: No! I don't! Because I...

---

Crazy Credits

At the end of credits Disco Cabie can be heard saying, "If you only remember one thing I've said, remember this; James Brown is the baddest motherf@cker in show business."

---

Alternate Versions

A workprint copy exists, which does add some extra footage

---

Connections

Features Love Story (1970)

---

Soundtracks

Give It to Me Baby
Written and Performed by Rick James
Courtesy of Motown Records Company, L.P.
By Arrangement with Universal Film & TV Music

User Reviews

Cleverly Disguised chick-flick

This movie had a lot of bad things said about it upon its release, but my girlfriend dragged me to it anyway. I didn't really like it, but after extended conversation, we realized exactly what we were dealing with.

And that is, a movie before its time. Most all cinema, both in and out of Hollywood, is brought to us by upper-class white males, complete with their beliefs, morals, what have you. One would argue, then, that even if a film came from someone who was not an upper-class white male would still have to work within that system, probably even being influenced by it, in order to get a film made.

Note, then, that this film was written by a woman, and directed by a woman. The characters in it are not testoserone-driven or in any way the pumped-up dumbed-down characters we have seen in recent decades. They are sensitive, but open to communication, a little irrational at times, but still human. They are characters from the female mind, a female psychology, and have very feminine ways in interacting with each other.

Then note that is was probably marketed by the same male-dominated Hollywood.

This is, of course, mostly backed up with the amount of psychology classes I have taken, but the simple version is that when this movie was new, I discussed it with many of my friends. All of the men either had no desire to see it, or hated it. Every single one of the women thought it was excellent.

Granted, this is a common rationale used by people who think themselves movie critics, but just you try seeing with a member of the opposite sex, and see how your opinions differ.

This is the first movie of a New Hollywood, tho it will certainly not be remmebered as such. Check it out and see what I mean.