An American in Ho Chi Minh City looks for a daughter he fathered during the war. He meets Woody, a child who's a street vendor, and when Woody's case of wares disappears, he thinks the ...
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A Vietnamese servant girl, Mui, observes lives within two different Saigon families: the first, a woman textile seller with three boys and a frequently absent husband; the second, a handsome young pianist with his fiancée.
Anh Hung Tran
Nu Yên-Khê Tran,
Man San Lu,
Thi Loc Truong
With the brilliant Vietnamese summer as a setting Vertical Ray of the Sun is beautiful from beginning to end. The plot centres around three sisters, two of whom are happily married (or so ... See full summary »
Anh Hung Tran
Nu Yên-Khê Tran,
Nhu Quynh Nguyen,
Set along the southern coast of Vietnam during the French occupation in the 1940s, water is everywhere, giving life and bringing decay and rot. Kim is 15; his father and step-mother have ... See full summary »
The Lu Le,
Thi Kieu Trinh Nguyen,
Huu Thanh Nguyen
The film portrays the life of a family separated from the mainstream of modern society, yet containing within its microcosm the complex layers and dramas of human relationship: conjugal ... See full summary »
Phan Quang Binh Nguyen
Thi Hai Yen Do,
Tang Thanh Ha,
Ninh Duong Lan Ngoc
In 1935, ninety-nine-year-old former slave Shadrach asks to be buried on the soil where he was born to slavery, and that land is owned by the large Dabney family, consisting of Vernon, ... See full summary »
John Franklin Sawyer,
Set in a breath-taking primitive landscape in the mountainous provinces of Vietnam, the film tells the story of a Hmong tribe girl named Pao. She was raised by her stepmother, for her real ... See full summary »
A young man who struggles through life by earning some money with his bicycle-taxi in Saigon (Ho Chi Minh city) gets contact to a group of criminals. They introduce him to the mafia-world ... See full summary »
Anh Hung Tran
Le Van Loc,
Tony Chiu-Wai Leung,
Nu Yên-Khê Tran
Wartime epic involving a poverty-stricken family who struggle to make ends meet, and the mother who does the unthinkable to provide her daughters with the traditional silk dresses required to attend school.
Thien Tu Tran,
Truong Ngoc Anh,
Khanh Quoc Nguyen
An American in Ho Chi Minh City looks for a daughter he fathered during the war. He meets Woody, a child who's a street vendor, and when Woody's case of wares disappears, he thinks the soldier took it. Woody hunts for him. A cyclo driver, Hai, gives a ride to Lan, a hotel call girl, and starts waiting for her daily; he falls in love with her and tries to break through her tough veneer. Kien An, a young woman, takes a job harvesting lotuses in the ponds of Teacher Dao, a reclusive man who has leprosy. Her singing awakens him from depression, and he asks her to write down poetry he has composed. The characters' paths cross in small ways, around flowers and kindnesses.Written by
The first American film to be made in Vietnam after Bill Clinton lifted the embargo. The filmmakers were followed by Vietnamese inspectors throughout filming. See more »
I made many mistakes in my life. That was a long time ago. Have I met the same man I was then? A lot of times past. When a chance comes around to make a wrong a right it's a special thing. But I hoped to make one thing right.
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Tony Bui's "Three Seasons" takes place in the teeming nightlife and the majestic hotels and the open marketplace and squalor of modern day Saigon. It is symbolically a film about traveling the historical past and present, put together in four uneven vignettes and how the lives of five people crisscross each other. Bui is not obtrusive and so his film is gentle and sweet and he lets his actors play out their roles with naturalness and grace. The gentleness of this film can be both its strength and weakness, because you leave thinking about discrete images beautifully photographed but you don't really have a sense of what Bui was trying to say. The image of sweat running down the face of cyclo drivers and the red abrasions on naked skin across the woman's back caused by a spoon are just two examples. Also, unlike Western soap opera, he isn't here to manipulate. Take the old man, Master Dao and his terribly scarred up face and amputations. Dao could have been afflicted by the after effects of napalm or a land mine explosion but, no, he has an old-fashioned affliction, leprosy. There is no post-Vietnam hate in Bui. The spirited cycle race through the streets of Saigon descends upon us without much buildup nor dramatics. We don't realize the significance of Hai winning this race till we see what he does with his winnings. Perhaps the few times Bui decides he needs to make an explicit statement, he does so with subtlety: the plastic lotus flowers which outsell the naturally grown ones, the opulent, newer hotels rising in Saigon turning the society into truly haves and have nots (what Bui calls the people of shadows), and the hardworking cyclo driver straining to move his vehicle as his Western couple occupants chatter oblivious to his struggles. The other weakness of "Three Seasons" is that the four vignettes are so interesting that each could have occupied the entire film. Instead we get incomplete servings from all four and a hunger to know more. Bui spends more time with the cyclo drive and the prostitute and the water lily girl and her poetic master. The story about the street smart little boy, who is forever in the rainy streets looking for his missing case of trinkets to sell and finding both the case and a tender companion in the end, could have stood by itself. Similarly, the Vietnam vet who comes back to find his lost daughter because he has to 'right a wrong' is a beautiful piece that needed more detail than what the film provided. The final scene of "Three Seasons" summarizes this film neatly - the falling crimson pedals from trees lining a boulevard. It is picturesque in its beauty but the meaning of it is more effervescent than lasting.
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