An account of the colourful life of the infamous British fascist Oswald Mosley, concentrating on the period between the end of WW1 and his imprisonment at the beginning of WW2.
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1  
1998  

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Cast

Series cast summary:
Jonathan Cake ...  Oswald 'Tom' Mosley 4 episodes, 1998
Jemma Redgrave ...  Cimmie Curzon 4 episodes, 1998
Hugh Bonneville ...  Bob Boothby 4 episodes, 1998
Flora Montgomery ...  Baba / ... 4 episodes, 1998
Ralph Riach Ralph Riach ...  Ramsay MacDonald 3 episodes, 1998
Karl Draper Karl Draper ...  Makin 3 episodes, 1998
Windsor Davies ...  David Lloyd George 3 episodes, 1998
Gresby Nash Gresby Nash ...  Fruity Metcalf 3 episodes, 1998
Ken Jones Ken Jones ...  J.H. Thomas 2 episodes, 1998
Eric Allan Eric Allan ...  Philip Snowden 2 episodes, 1998
Roger May Roger May ...  John Strachey 2 episodes, 1998
Emma Davies ...  Diana Guinness / ... 2 episodes, 1998
Paul Ireland ...  Alan Young 2 episodes, 1998
Orlando Wells Orlando Wells ...  Cecil Beaton 2 episodes, 1998
Arturo Venegas Arturo Venegas ...  Count Grandi 2 episodes, 1998
Berwick Kaler ...  Arthur Henderson 2 episodes, 1998
Stephen Gressieux Stephen Gressieux ...  Mussolini 2 episodes, 1998
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An account of the colourful life of the infamous British fascist Oswald Mosley, concentrating on the period between the end of WW1 and his imprisonment at the beginning of WW2. Written by Simon Shearn <simon@frieth.demon.co.uk>

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Country:

UK

Language:

English

Release Date:

12 February 1998 (UK) See more »

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Color:

Color
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A Black Eye On A Blackshirt
14 January 2005 | by CharlesPeterWatsonSee all my reviews

This biographical/somewhat propagandist perspective of Sir Thomas 'Oswald' Mosley portrays Mosley as a "young man in a hurry" by day and a lecherous womanizing tomcat by night. Rebel with just cause(s), Mosley is transported from soldier to statesman to soldier, making marks in three political parties before finalizing to his own Fascist Party, presented much like a new reformer in an unreformed nation and with detailed programming that makes the film look much like a Biography Channel or History Channel-produced movie suitable for the Public Broadcasting System, Sundance and Independent Film Channels, or even late-night basic cable. But the movie does pose an image of an aristocratic hypocrite (He speaks as a Labour rep for lower working classes while dress in ritzy upper class garb and living at a manor house) or a contradiction usurer ("spheres A&B"), strewn with incidents of conflict with everybody he likes, loves, or respects. Mosley gets what he wants but doesn't get everything he needed.


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