Two Irish brothers accidentally kill mafia thugs. They turn themselves in and are released as heroes. They then see it as a calling by God and start knocking off mafia gang members one by one. Willem Dafoe plays the detective trying to figure out the killings, but the closer he comes to catching the Irish brothers, the more he thinks the brothers are doing the right thing.Written by
When Ivan comes to the bar at the beginning of the movie trying to close it early, Doc tells him to "Make like a tree and get the fuck out of here!" The brothers had just been making fun of him for getting his proverbs mixed up, however, this line works as it is a more profane reference to a quote from Back to the Future (1985), in which Biff tells Marty the same thing, only without "fuck." See more »
The toilet bowl which Connor first pulls out of the floor appears to be a real toilet bowl. When looking directly down at a real toilet bowl, it is impossible to see all the way though it. The next scene with Connor carrying the toilet, the bowl is definitely a prop. This is evidenced in two ways. First you can see through the bottom. Secondly, when it falls on Chekov, the shattered pieces are too thin. The porcelain on a standard toilet bowl are way thicker. Large chunks of porcelain should have still been visible, when Murphy was recovering Connor. See more »
Our father, who art in heaven, hallowed be thy name. Thy kingdom come, Thy will be done, on Earth as it is in Heaven. Give us this day our daily bread, and forgive us our trespasses, as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For Thine is the kingdom, and the power, the glory, now and forever. Amen.
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Clips of people being interviewed about their opinions on "the saints" are shown while the credits roll. See more »
The so-called North American wide screen DVD release is cropped from a full-frame version that has aired on Canadian cable television. See more »
I've always enjoyed non-linear storytelling. A number of people seem to have picked up on this aspect of the movie and thus dubbed it similar to Pulp Fiction (though no one mentions Reservoir Dogs) when this movie takes non-linear storytelling to a level beyond where Quentin Tarrantino was ever able to go.
Now, certainly Memento came along afterwards and transformed the entire art of non-linear storytelling. However, Memento uses it to keep the movie watcher guessing until the very end, whereas Boondock Saints puts the pieces on the table, letting you try to put them together, but then will continue handing you pieces until the picture becomes clearer.
Clearly the movie is designed to be over-the-top, both from Williem Dafoe's character to the action sequences themselves. Williem Dafoe makes this movie for me. The plot, which centers on religiously-inspired vigilante justice, has an air of being somewhat cliched, although I would be hard pressed to name another movie which handles it in this matter.
I still fail to see how others consider this movie vacuous and without meaning, when its message about the pitfalls of our current legal system and the need for something that transcends it is quite clear. I thought the ending, in which various people are interviewed about their opinion of the "Saints" and how for some vigilante justice was an incredibly sensitive issue, made this point very clear.
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